A Quote by Victor Hugo

To think of shadows is a serious thing. — © Victor Hugo
To think of shadows is a serious thing.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
I love Sam Neill. The thing that I always say about him, and I think it's true, is he's so dry. When he's serious, I think he's joking; when he's joking, I think he's serious.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
I think the challenge for anyone in a visible industry, whether it's media, government, or political organizing, is to take serious criticism seriously and not to live in the shadows of the noise and the concern trolls.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
I think that the important thing to consider here - Hubert Humphrey said that a society is measured by how he treats those in the dawn of life, those in the shadows of life, and those in the twilight of life. And it is true that Terri Schiavo lives among us in the shadows of life, but she is not brain dead. She feels pain.
I take literature as a really serious human activity. It's not just a playful thing. It can be hilarious and wonderful and performative, but I think it's really serious.
Revolution is a serious thing, the most serious thing about a revolutionarys life. When one commits oneself to the struggle, it must be for a lifetime.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
My dad drank pretty heavily, and he never missed a day of work in his life. So I never looked at drinking as a serious problem, but drugs to me are a serious problem. I think it's a generational thing. I think older people don't feel as uncomfortable around drinkers as they do around dopers.
and a charge of lying against someone whom you have always found truthful is a very serious thing; a very serious thing indeed.
I don't think existence wants you to be serious. I have not seen a serious tree. I have not seen a serious bird. I have not seen a serious sunrise. I have not seen a serious starry night. It seems they are all laughing in their own ways, dancing in their own ways. We may not understand it, but there is a subtle feeling that the whole existence is a celebration.
Be serious. Folk songs are serious. That's what Pete Seeger told me. 'Arlo, I only wanna tell you one thing. Folk songs are serious.' And I said, 'Right.'
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