A Quote by Victor LaValle

Whether it was H. P. Lovecraft's doomed towns or Shirley Jackson's lonely, looming 'The Haunting of Hill House,' the boondocks had all the fun. As a black kid in Queens, New York, I couldn't have felt more removed.
I do love Shirley Jackson, but I don't deserve to be named in connection with her. I remember reading 'The Haunting of Hill House' and having goosebumps for hours. The way she builds narrative pressure in that book is just amazing. I think you could reread it a few times and actually go out of your mind.
I grew up in a semi-attached row house in Queens in New York. And my family and my grandparents and my father's from Brooklyn, and so you're essentially an outer boroughs kid, you're growing up.
For me, 'The Haunting of Hill House' is a series about life after a haunting, what happens after the credits roll in most horror films.
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning or whether you live in Malabar Hill or New York or Jogeshwari; whether you’re from Bombay or Mumbai or New York. All they know is that you’re trying to get to the city of gold, and that’s enough. Come on board, they say. We’ll adjust.
Shirley Temple doesn't hurt Shirley Temple Black. Shirley Temple helps Shirley Temple Black. She is thought of as a friend - which I am!
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
I have heard, as everybody else has, of a spirit's haunting a house ; but I have had my own personal experience of a house's haunting a spirit.
I don't really know why I started playing as a kid, but I grew up in Queens, New York, not too far from Forest Hills, where they played the U.S. Open in those days. I even got to be a ball boy there. Also, there was a tennis court just a block away from our house, and I'd hang out down there.
As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.
'One Tree Hill' really had an impact on my life. It was the first time I left my house and my family in New York and went to a small town in North Carolina. It was the most incredible experience for me.
I didn't read The Haunting of Hill House until sometime early in the 1990's.
I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.
When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.
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