A Quote by Victoria Abril
You can fake your age or mask it, but the passion that moves the characters has to be real.
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I always think there's our age in ID terms but then there's our real age because for me the real age is not the age on your ID. That's just a date when you were born. The real age, the real ID is your body, your brain, your attitude.
Follow your passion, we’re often told. But how do you find your passion? Let me put it another way: what is it that breaks your heart about the world? It’s there that you begin to find what moves you. If you want to find your passion, surrender to your heartbreak. Your heartbreak points towards a truer north — and it’s the difficult journey towards it that is, in the truest sense, no mere passing idyllic infatuation, but enduring, tempestuous passion.
Real person. real name. I won't divulge too much, but it's not a fake name. And it's not a fake person. I guess that's the best answer I can say: It's not a fake name and it's not a fake person. But it's not her real name and it's not a real person either.
Fake it, fake your confidence until it's real. I think it's a good way to live most of your life.
The world of art, I have suggested, is full of fakes. Fake originality, fake emotion and the fake expertise of the critics - these are all around us and in such abundance that we hardly know where to look for the real thing. Or perhaps there is no real thing?
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
Tennis is fake. We have real characters, but they don't dare to be themselves, and the code of conduct has a lot to do with that.
But if the strength ain't real, I recall thinking the very last thing that day, before I finally passed out, then the weakness sure enough is. Weakness is true and real. I used to accuse the kid of faking his weakness. But faking proves the weakness is real. Or you wouldn't be so weak as to fake it. No, you can't ever fake being weak. You can only fake being strong. . .
I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
Passion acts like a magnet that attracts us to its source. We are drawn to people who radiate with passion, who live with passion, who breathe with passion. Your passion is your true power. The more you discover and express your passion for life, the more irresistible you will become to others.
It happened on 'Laguna Beach' where you don't know what's real and fake, and I saw cast members who couldn't distinguish what was real and what was fake anymore. It was kind of scary to see, so I kept them very separate so that I didn't go crazy.
It's a terrible thing to be alone - yes it is - it is - but don't lower your mask until you have another mask prepared beneath - as terrible as you like - but a mask.
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