A Quote by Victoria Abril

For most of my career, I've played roles that were written for other actresses. — © Victoria Abril
For most of my career, I've played roles that were written for other actresses.
I've made a career of taking roles that other actresses didn't want.
There aren't enough meaty roles for actresses. Also, most actresses aren't ready to take risks.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
The career I chose was a drama major in college, at Yale, when I played a 90-year-old woman. One of my most celebrated roles. Then I played a really fat person. I played a lot of different things. That's how I thought I loved to wrangle my talent, my need to express myself. I like to do it that way.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
You have actresses like Meryl Streep and Julia Roberts, who have roles specially written for them.
The actresses I most admire are Cameron Diaz and Sofia Vergara. They're amazing comedic actresses and also gorgeous. That's the direction I'd like my career to go in.
I made the mistake early in my career, when I moved to Hollywood, of being attracted to actresses. I used to go out exclusively with actresses and other female impersonators.
I know, I pick up the roles other actresses don’t want [laughs]. When there’s movies where there are two sisters and one’s the uglier sister, there’s always no actress that wants to go for it. I’m like, why not! They’re the best roles!
I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
I had a good theater career for years. I played Hamlet when I was 22, and I've played some really great roles.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
I think male roles are generally much better written. So for actresses, we're always dealing with trying to inject a role with more truth than the writer possibly had in mind.
An actor is an impersonator; he plays many different roles. If you played the same role all the time, God - that'd be a boring career. When you take on different roles and become a different person, that's called acting... It's a challenge.
If you look at my acting career, I never played a role that was similar to anything my brother played. I was always cast as the bad guy or a gangster, because my brother didn't do those kind of roles.
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