A Quote by Victoria Aveyard

I don't want to lose too much of the mystery by hammering every detail to death. — © Victoria Aveyard
I don't want to lose too much of the mystery by hammering every detail to death.
World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.
I want to wake up with you beside me in the mornings. I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms.
The religious man, the mystic, tries to explore the mystery of death. In exploring the mystery of death, he inevitably comes to know what life is, what love is. Those are not his goals. His goal is to penetrate death, because there seems to be nothing more mysterious than death. Love has some mystery because of death, and life also has some mystery because of death.
I look for ambiguous messages to illustrate...I like some detail but not too much detail.
If death disappears there will be no mystery in life. That's why a dead thing has no mystery in it, a corpse has no mystery in it, because it cannot die anymore. You think it has no mystery because life has disappeared? No, it has no mystery because now it cannot die anymore. Death has disappeared, and with death automatically life disappears. Life is only one of the ways of death's expression.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Susanne Alleyn's Game of Patience is a well-crafted historical mystery, authentic in every detail. Wonderfully entertaining.
What the word God means is the mystery really. It's the mystery that we face as humans the mystery of existence, of suffering and of death.
Michael Jackson was the biggest star the world has ever seen - he put so much into everything; a lot of attention to detail. I want to do that. I want to pay that kind of attention to detail in everything - in music, visually - all of that.
"You know, I've wondered if it's more painful to lose someone you love to death or to lose someone you love because she no longer loves you back." "I don't know," I said. "On the surface, it seems an easy question. It should be so much easier to lose someone who doesn't love you, because why would you want to be with someone who doesn't want you? But rejection's not an east road. A part of you always wonders what makes you so unlovable."
Well, when you're nitpicking every little detail... with digital, you're seeing what the finished product is, right there on set, and that's when you start to lose a lot of time. You lose time staring at that image trying to make it perfect.
I thought I had a clear picture of death, but now I know it's a mystery and it will always be a mystery, although it is something we all have in common: everybody knows that life ends with death.
In the garden the door is always open into the "holy" - growth, birth, death. Every flower holds the whole mystery in its short cycle, and in the garden we are never far away from death, the fertilizing, good, creative death.
Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood.
My life has appeared unclothed in court, detail by detail, death-bone witness by death-bone witness, and I was shamed at the verdict.
There's no dignity in hiding from an undignified story. You don't want to die the death of 1000 cuts. Just get the whole thing out... the entire thing, every detail, answer the questions and move on.
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