A Quote by Victoria Aveyard

I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale. — © Victoria Aveyard
I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
It took me a long time, not necessarily to come out, but to understand how I was feeling. It wasn't planned for me to come out with 'First Girl' or anything. I just so happened to have met my current girlfriend on the set.
I'm not writing anything out of some sense of obligation, or for marketing purposes. This is just what I prefer to write. Even though I write mostly for kids, I'm not out to teach a moral lesson or present a guidebook for life. My primary goal as a writer is to create fun, entertaining books that present interesting ideas and themes, so kids can have a break from the stresses of their lives. I got a fan letter once from a girl who said one of my books made her feel good about herself, and if there's anything I'm reaching for, it's that.
All of the most important lessons about writing I learned from my father. He never set out to teach me anything, it would just be something he said casually in conversation.
I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through.
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
I think it's very difficult to generalize as to why, in a particular league or a particular industry, somebody has or has not come out. We certainly don't want a player to come out for our sake. It should be what's right for him and something that he has to be comfortable with.
I was desperate on Coming To America set - not to buy drugs or anything, but I had a person at home, a girlfriend who's telling you, "You're out the bills and food. You need this, you need that. And you either get it, or don't come back." That was me.
People come in and out of our lives to teach us. And we teach other people. It's part of the process. They come in and they go out. Some stay for longer than others.
If you can have a show that has quite strong morals and cover important themes but be able to put them out to a broad audience, that's an interesting thing.
And when you discover what you will be in your life, set out to do it as if God Almighty called you at this particular moment in history to do it. Don't just set out to do a good job.
When you're writing, at least when I'm writing, I don't think about themes and I try not to sermonize with any particular message.
I don't teach writing classes anymore, and I'm really glad I don't, because I would feel very strange about telling people, 'Go out there and be a writer, and make a living from it.'
I think when you're writing films that just come fresh out of your own imagination - I think probably anyone who's done that, there are certain themes or styles.
I have come to believe that the best kind of walk, or journey, is the one in which you have no particular destination when you set out.
Whenever I set out in a new direction, whether it's with a new band or being a frontman or writing a comic book or entering into movie scoring or anything like that, I wouldn’t say that I do it fearlessly...
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