A Quote by Victoria Chang

For the most part, it's a world of artists that are very in their own heads. — © Victoria Chang
For the most part, it's a world of artists that are very in their own heads.
Most inventors and engineers I've met are like me. They're shy and they live in their heads. The very best of them are artists. And artists work best alone.
We invent mind-space inside our own heads as well as the heads of others ... we assume these 'spaces' without question. They are a part of what it is to be conscious. Moreover, things that in the physical-behavioural world that do not have a spatial quality are made to have such in consciousness. Otherwise we cannot be conscious of them.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
Most people just want to be part of the world, they want to live, love, and enjoy themselves - to take part in the world around them. Whereas artists are always retreating, locking the door, and inventing other worlds.
In 19th-century France, artists were part of government. Artists are very sensitive to their time. They're very thoughtful people - it makes sense to hear what they have to say.
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.
Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.
For me, I feel like the most important part of music is the storytelling behind it, and that's my favorite; that's what makes my favorite artists my favorite artists, having the story that I relate to the most and that helps me the most.
The most alarming of all man's assaults upon the environment is the contamination of air, earth, rivers, and sea with dangerous and even lethal materials. This pollution is for the most part irrecoverable; the chain of evil it initiates not only in the world that must support life but in living tissues is for the most part irreversible. In this now universal contamination of the environment, chemicals are the sinister and little-recognized partners of radiation in changing the very nature of the world-the very nature of its life.
I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
The part inside the ropes, the part where people decide if it's a good match or a bad match, that's the part that I take very, very, very, very, very seriously and that I respect the most.
The people love when you give them a part of you. You know what I mean? Those are the most successful artists. Artists with a story to tell when the people can feel that they are growing with you.
The frustrating part of being an artist is that I can do a whole interview, and all most people are going to see is the headlines. As artists, we should be able to write our own headlines.
You got a handful of great guys - Ne-Yo, R. Kelly, Usher. You have a handful of great female artists. But for the most part the music world's changing and change is good. You have to make adjustments if you want to survive in that world.
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
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