Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
I don't care what you say about me anymore! I don't care what you write about me anymore. I don't care! This is my life. I can't have anybody messing with my life. I just want to be Gerry Cooney, doing what I want to do. I want to be what I am. A fighter.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
I have a very big apartment in Paris but you can't really move around there anymore; piles of books everywhere. I don't want any more books. I have too many books; sometimes I have to buy another copy of a book that I know I have somewhere in my house or office because I can't find it.
I want to write some books. Books that have nothing to do with music, just some fiction type of books for a whole different audience of people.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
I want books written out of a brain and heart and soul crowded and vital with Life, spelled with a big L. I want poetry bursting with passion. I don't care a hang for the 'verbal felicities.' They'll do for the fringe, but I want the garment to warm me first.
When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!
People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
Years and years ago, I said I did not want to write academic books. I want to write books that are in the language of the common person so that Joe, who didn't even go to college, can sit down and read my book and get it and apply it to his life.
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
Maybe I'll just write books. I'd like to make another movie, but I don't want to go back and [do] what they want you to do, to make it for a million dollars. I did that. I don't need a lot, but I need what I used to get, and they don't give you that anymore.
We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.
I never wanted my books to be mistaken for poetry or fiction books; I wanted to write reference books. But instead of referring to something, they refer to nothing.