A Quote by Victoria de los Angeles

Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German. — © Victoria de los Angeles
Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German.
I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.
European operetta and German singspiel provided the American musical its combination of spoken dialogue and song; the inclusion of dance traced a lineage to French baroque opera. But what a difference!
I studied classical opera, so I was always singing in Italian and German and French.
I speak five languages: English, Swedish, French, Italian, and German.
I have Russian, German, Spanish, Italian, French and Ethiopian blood in my veins.
I speak Spanish to God, Italian to women, French to men, and German to my horse.
Italian is the language of song. German is good for philosophy and English for poetry. French is best at precision; it has a rigour to it.
I learned to say 'hello' in German, French, Spanish, Dutch, Chinese, Indonesian, and Italian - languages of the countries I've visited.
Mine is a European imagination, shaped largely by my very promiscuous reading in German, French, English and, with greater difficulty, Italian.
I speak Italian and a little bit of French. I moved to Trento, Italy, when I was around 10 to learn Italian. I have family there. I'm trying to restart my French. And then I want to get into Mandarin.
I think what inspires me is in a constant state of flux...it's easier to stick to photographers and perhaps cinematographers, though the great medieval, Mannerist, and Baroque painters of Italian, Spanish, Flemish, and German origin are a constant source of inspiration, along with select modernists like Dali.
I can get by quite well in Italian or German, though if the discussion got to a high level, I'd run out of vocabulary. I'm stronger in French and Swedish.
In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
What I like about baroque is the reemergence of pre-Christian religion. The art of baroque mixes ancient pre-Christian myths with Christian imagery and each reflects upon the other.
An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
A film is a film and it has to be good to be inspired. That's number one. It can be Italian, French, German, American. It's moving images in front of you and with a strong director who injects his point of view and artistry.
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