A Quote by Victoria de los Angeles

Of course the death of Geoffrey has caused a lot of trauma to me generally. — © Victoria de los Angeles
Of course the death of Geoffrey has caused a lot of trauma to me generally.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
I don't want to get into splitting hairs. Trauma is trauma. I'm not in a position to quantify or qualify people's trauma.
The psychological trauma of losing a job can be as great as the trauma of a divorce. It creates a lot of anger and emotional hardship. People may become quite depressed.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
There are the medical dangers of football in general caused by head trauma over repetitive hits.
The American foreign policy trauma of the sixties and seventies was caused by applying valid principles to unsuitable conditions.
I don't need to manufacture trauma in my life to be creative. I have a big enough reservoir of sadness or emotional trauma to last me.
The death of Sid Caesar on Wednesday caused a chain reaction in my soon-to-be-66-year-old mind. I was saddened, of course, but felt a sense of relief that he was at last free from the indignity of aging.
I think my biggest focus for myself is learning how to continue to get through the trauma that my father has caused in my life.
I grew up in Balham in south London, and my best friend's brother was Geoffrey Robinson, who of course later became paymaster general, but at that time, he was working in politics.
This stereotype that Black and brown boys and girls are dangerous or threatening has normalized systems of trauma: the cradle to prison pipeline, foster care, youth detention, and being tried and sentenced as adults. We treat trauma with more trauma.
I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.
Heaven deprives me of a wife who never caused me any other grief than that of her death.
We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.
How much more suffering is caused by the thought of death than by death itself.
I'm frightened a lot. I feel like it's caused me a lot of obstacles.
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