A Quote by Victoria Finlay
In precious opals there might be a dash of red here, a seductive swirl of blue there, and in the center, perhaps, a flirtatious glance of green. But each stone flickers with a unique fire and a good opal is one with an opinion of its own.
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Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim, green in it's envious heart. It may burn white, or even, in it's greatest rages, black.
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
The gross elements are earth, water, air and fire, with the fifth being space. Each particle of the body is made up of these five elements, which are manifested in different colors. In their true quality, space is blue light, water is white, earth is yellow, fire is red, and air is green.
Yellow can express happiness, and then again, pain. There is flame red, blood red, and rose red; there is silver blue, sky blue, and thunder blue; every color harbors its own soul, delighting or disgusting or stimulating me.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.
The first of all simple colours is White ... We shall set down White for the representative of light, without which no colour can be seen; Yellow for the earth; Green for water; Blue for air; Red for fire; and Black for total darkness.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
Xander Harris: Hair. Red. Red is good. Fire engines are red. Porsche's are red.
Sometimes, when people use too much blue screen in movies, the actors don't look credible, because they have their own opinion of what the thing will look like, and each person has a different opinion.
I invented the colors of the vowels!--A black, E white, I red, O blue, U green--I made rules for the form and movement of each consonant, and, and with instinctive rhythms, I flattered myself that I had created a poetic language accessible, some day, to all the senses.
I wondered what one wore to visit a vampire. The chic red sweater set didn't go so well with my darker hair, and I was afraid it might be construed as a flirtatious invitation to color me bloodier.
From space, the earth appears predominantly blue; the clouds are brilliant white. Surprisingly, you don't see much green, although Ireland looks green, and so do Scandinavia and New Zealand. The deserts are brick red and really stand out.
Blue is the only color which maintains its own character in all its tones it will always stay blue; whereas yellow is blackened in its shades, and fades away when lightened; red when darkened becomes brown, and diluted with white is no longer red, but another color – pink.
If we seek for the simplest arrangement, which would enable it [the eye] to receive and discriminate the impressions of the different parts of the spectrum, we may suppose three distinct sensations only to be excited by the rays of the three principal pure colours, falling on any given point of the retina, the red, the green, and the violet; while the rays occupying the intermediate spaces are capable of producing mixed sensations, the yellow those which belong to the red and green, and the blue those which belong to the green and violet.
In nature everything is valuable, everything has its place. The rose, the daisy, the lark, the squirrel, each is different but beautiful. Each has its own expression. Each flower its' own fragrance. Each bird its' own song. So you too have your own unique melody.
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