A Quote by Victoria Legrand
Sound is a very unruly thing, and you have to really respect that it's going to differ every time you play.
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In my world, the first thing I reach for is the sound. Technique is Ok, but if you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out. What I reach for is ... a sound.
I've always been a very harsh judge of talent because if you don't play the game on both ends of the court, and if you don't play hard every night, I'm probably not going to be in love with you as a player. I'm going to respect you because you're good, but these players are unique.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
It's funny, but to me, when you go to a concert hall and hear electronic pieces from the '60s, I think they sound really dated. But when an orchestra plays a piece from that period, and it's going to sound different every time, it feels more modern to me.
'Still Writing Songs About You' - that one hits me every time. For some reason, I really feel that song every time we play it. I just love the sound of it, and I feel like everybody probably has that person that they never fully forget or never can get past.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
It's very important that we instill some respect for the parents. In America especially, the kids are unruly, screaming at Mommy and Daddy, running the show.
You're not going to tell me that you're going to find a person who's not a very good athlete and he or she is going to be a great player. But anyone can play the game. That's the nice thing about the game. You don't really have to be a world-class athlete to play the sport [golf] and have fun because of handicap systems.
One thing that probably is unique at Activision is that we really spend a lot of time up front with our audiences, and in big quantities and with a very thoughtful process, to really try and draw out from them what it is that they would like to play. So we have a pretty good sense going in what the expectation of the audience is.
I was really looking forward to doing the thing that I do - I basically appear just at the beginning and at the end of the 'The Glory of the World' play - but when I got to opening night, I started to get really sad that that was the last time I was going to see the play as a spectator without actually being in it.
You can find the greatest sound of all time, and someone's going to squash it down to a tiny little earphone anyway or play it through the computer, and that is a big thing people have to think about now.
I just really like the characte [Jasper Hale], and I love the story [Twiglight], I think it's a very strong character and I respect him. It's interesting; I respect the character that I play. I don't understand it, but I do. That's a good thing. I think so, I think so. I never felt like that before with a character.
Every time I get to lace up my shoes, I am happy. Every time I see my jersey and I get to put it on, I feel like a kid in the candy store. Every time I get the chance to play, I am going to play.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
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