A Quote by Victoria Pratt

It's all about exploring the more unpredictable aspects in the character, not just fighting people. — © Victoria Pratt
It's all about exploring the more unpredictable aspects in the character, not just fighting people.
I like exploring, especially being and getting more comfortable with a character and in the space a character is always in.
They have two aspects. One is that they're unpredictable, and that often rich and more affluent households are slow to spend the funds. The other thing about tax cuts is that they're redistributive. So they tend, naturally, to benefit those who pay tax.
The more helpful our phones get, the harder it is to be ourselves. For everyone out there fighting to write idiosyncratic, high-entropy, unpredictable, unruly text, swimming upstream of spell-check and predictive auto-completion: Don't let them banalize you. Keep fighting.
Obviously, for safety reasons, there's some stuff I can't do, but fighting is more than just about nailing the moves accurately, to sort of pull off the stunt sequence. It's also about bringing emotion to it and character.
The more I have written, the less it has been about exploring myself, and the more it has been about exploring the world around me.
Guys have a lot more to worry about when they're fighting me than they do fighting Khabib. He's just one-dimensional.
My approach to Pennywise was, on one hand, I wanted to stay true to the essence of the character but at the same time make it an edgier character that is basically unpredictable and people won't expect everything he comes up with.
People want to hear what I do with Special Forces, as a ranger, as a sniper. And I'm like 'What does that have to do with fighting?' Let's talk about fighting. They couldn't be more different; there's nothing similar about them.
War isn't just about bravery and courage and jingoism and patriotism. It's also fundamentally about grief. And the people that go and do the fighting and the dying are never the people who actually benefit from the fighting and the dying.
Highly competitive athletes like Ginny Gilder have a gift for tolerating pain and ignoring adversity. They accept these things as the price they pay for greatness. These habits of mind and body serve us well in many aspects of our lives, but not in all aspects of our lives. Course Correction is about taking time to heal and exploring the joy that lies beyond adversity.
Human character is just endlessly fascinating, and there is no character who is one thing any more than any one person is just one thing. As you work on a character, he/she is revealed more and more. That's what I continue to love about the work.
In the end, my story, in Iraq and afterward, is about more than just killing people or even fighting for my country. It's about being a man. And it's about love as well as hate.
That's something I really like about 'Lone Star,' is that they allow my character to just be who he is, while also at other times exploring his trans experience and giving room for that as well.
The most important thing about a candidate is not their promises - those hardly ever get delivered anyway. It's about how they would respond to unpredictable future events. And that's about their character.
I don't avoid anything. In my songs I just choose to talk about certain things, and so yeah, there are some aspects of my character and personality that don't come out.
People are even more wary of politicians and they are realizing that democracy isn't just about putting a cross on a ballot every four years, it's about deciding what you want and fighting for it.
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