A Quote by Victoria Pratt
I did a lot of stunts, so the harness work isn't foreign to me either.
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For my character, I mostly shot in the jungles and also did stunts and fight sequences on the harness. At the end of the day, I used to be hurt and bruised, but I completely enjoyed doing all these.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
Over my career, I've had to do a lot of shows that involve stunts, and I so enjoy stunts.
I would love to do my own stunts, but stunts are not something I have a lot of experience with.
Because I did gymnastics for such a long time, it's allowed me to stay really physical, and with the krav maga and all that, I can actually do a lot of my own stunts.
We did some cool wire work in 'The Pact' - they had me strapped to a harness underneath my shirt so they could fling me around the house and slam me into doors. I definitely got some bruises even with all the padding!
I did a lot of trapeze stuff when I did 'Pippin' and continued to do it afterward. Flying is so fun, and I was used to the harness idea, but these harnesses are like intense, full bodysuit things.
While I'm on foreign soil, I - I just don't feel that I should be speaking about differences with regards to myself and President Obama on foreign policy, either foreign policy of the past, or for foreign policy prescriptions.
I know a lot of people dread going to work every morning, but my work is playing pretend and doing stunts and screaming. It's a lot of fun and I get to play dress up. Every day is exciting and different and new and cool. I couldn't be more grateful.
You see, the Foreign Service of the United States has grown so unbelievably in the last twenty years, and the requirements for admission are so high, and yet an awful lot of the work, I'd say fully 50-percent of the work in the Foreign Service abroad, is really routine work. All this is something that no one has licked.... You get a certain amount of discontent. It's bad for morale.
So there was always a stunt coordinator on those films that was from Stunts Unlimited and I was just one of the young warriors from Stunts Unlimited that got to be a part of it because it was a big show and they needed a lot of guys.
Actors say they do their own stunts for the integrity of the film but I did them because they looked like a lot of fun.
I ask the stunt guys, all the time, to do as much of the stunts as possible, and they let me do a lot. They don't throw me through windows because they're not allowed to and I probably wouldn't say yes to that. But I have done a lot of physical acting before, in theater, so that comes very natural to me.
My father was very strong. I don't agree with a lot of the ways he brought me up. I don't agree with a lot of his values, but he did have a lot of integrity, and if he told us not to do something, he didn't do it either.
Our whole strength rests on the validity of [Joseph Smith's] vision. It either occurred or it did not occur. If it did not, then this work is a fraud. If it did, then it is the most important and wonderful work under the heavens.
I was thinking about being more global in my work, which means trying more foreign countries and working with foreign filmmakers, hoping they would give me a new take on my work, a new point of view, reinvent me in some way.
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