A Quote by Victoria Pratt

We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it. — © Victoria Pratt
We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.
The day that I saw Whoopi Goldberg on television, I cried so hard because I kept looking at my daddy going, 'Oh my God. There's somebody on TV that looks like me! She looks like me! Yay! I can be on TV! I can be on TV! I can do it! Look at her - look at her! She looks just like me.'
The first thing you do before you take a swing with a driver is put it down and see how it looks to your eye. If you don't like how it looks, it's going to be difficult to hit a good shot.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
I wanted to move between film and theater - I never felt like I fit into TV. And I'm very anti-TV, like, 'I'm never going to do TV,' but also, TV didn't want me either, so it was kind of perfect. And then, of course, cable happened, and suddenly it was like, 'Oh, I could do that kind of stuff.'
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
You know, you walk through this hotel, you're not going to see all white people; you're not going to see all black people; you're going to see what the world looks like. I promised myself that if I ever got an opportunity where I would be able to make a difference and have a say, that I would want to deliver [that] message [of inclusivity].
I think that contradictions, unless they're understood, unless they're analyzed, unless they're thoughtfully probed, unless people have a sense of what those contradictions mean - there's just as much of a chance that they'll move into embracing fascism as there is that they'll move into a more radical conception of democracy itself.
I'd like to see technology to move beyond the hype and be considered part of infrastructure... the way you see access to water. I would like it to move away from apps and mobile money. So that everyone has their TV and their Wi-Fi, and it's just ubiquitous. I think that's where we should be headed.
My favorite part of my body is my brain. I think no matter what my body looks like I wont be satisfied unless I know how to use it.
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
If I have a hit, then I hope the people who like the hit song go out and buy my album so they can hear it all.
Not always trainers, but if I don't have to, I don't wear high heels. It's really just if something looks good on me, I'm going to buy it. It can be Zara or Chanel... I'm going to buy it.
Move not unless you see an advantage; use not your troops unless there is something to be gained; fight not unless the position is critical.
If I'm going to fly for more than twenty feet it's generally a good idea to get a stunt guy.
Unless we confront our history, unless we deal with it and move forward, not with recrimination, and move forward then we're always going to have the problems.
My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
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