A Quote by Victoria Pratt

I came to acting in a very circuitous way. — © Victoria Pratt
I came to acting in a very circuitous way.
The movie business can be very frustrating and very circuitous; theres no straight path. You have to have tremendous perseverance, dedication and passion. You have to want it very, very badly and you have to deal with a lot of rejection.
It was a very circuitous path. It was not very linear - I floundered about for many years.
I am very lucky that I came from a stable home, but I didn't know what I wanted to do with my life until acting sorted of landed in my lap when I was in my 20s. Acting, to me, was a bit like the ladder I used to climb out of feeling lost.
I feel like I came to acting late in a way.
For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
Things have a way of being richer in the end, a product better made, for the circuitous route we take to include all the elements that are necessary for a job well done.
Everyone with all those good intentions came to help Indonesia rebuild from the tsunami; but the co-ordination problem was very big, because they came with their own way of doing business; they came with the inflexibility of their own governance.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
I had done acting at school, and it felt like something that came very naturally to me.
Before I got into acting, I was always interested in psychology, which I think is very common with a lot of actors because in a weird way, psychology and acting kind of seem interwoven.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
I love acting and I know that's a cliché, but I didn't really, I was very naïve when it came to the whole being recognized thing.
There came a point sometime during high school when I started thinking about exploring acting as a career, but it was more of an intention than an actual decision. I was very interested in a lot of different subjects, but every time I envisioned myself actually pursuing one as a career, I always ended up thinking that I would rather be acting.
For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing.
I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
I love acting. Anchoring and dancing have come to me because of acting. I came here to be an actor. All others are just an extension of it.
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