A Quote by Vidya Vox

I grew up learning carnatic music but I also enjoyed english music so I always thought I could marry the two words and we tried the idea once and it was a hit. — © Vidya Vox
I grew up learning carnatic music but I also enjoyed english music so I always thought I could marry the two words and we tried the idea once and it was a hit.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
Always when I write my music, I take my guitar, and I improvise always with a melody, you know, lyrics in Spanish. But sometimes I use some words in English. I don't know why. Maybe because I listen to a lot of music in English.
If you have words and want to write music for them, the words hit you with a feeling which you can't really describe in words, and so what you do is to put music to them and in this way you make contact with the words, through the musical thing. It happens when two feelings come together and they do something together and they compliment each other.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
I grew up listening to a lot of Malaysian pop music, which is kind of like a mixture of traditional and pop... I was also listening to a lot of English music as well.
My basic grammar is in Indian classical music, Carnatic music, and Hindustani music, but I don't believe that that is the only form of music I will learn. I don't believe in that, because I am a very open minded person.
I also combined the R&B feel with the pop music of Taiwan... I wanted to bring the R&B flavor and other Westernized sounds to my music, because that's the type of music I grew up listening to.
Godzilla also represents the fear of nuclear annihilation, which was something that was big in my mind at the time. It was something that the people of this forthcoming generation haven't had to live with, but people around my age grew up with the idea that we could all be blown up at any minute. That's also what got me into hardcore music.
I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.
You need music that is compelling and intellectual, but you also need music that just feels good and you can laugh about and dance to, and I think I'm trying to marry the two in some way.
I love making music, but I also love making music that's on the radio. In some circles, that is considered less artistic. And I've always tried to resist those people that say the two can't exist at the same time.
I thought a lot about Nixon's personal history and the changes in America during his lifetime and tried to craft stories, which I thought reflected some of his personal history but also the backdrop of a changing America. Nixon grew up in a strict Quaker family. The idea of the American Dream, of hard work and not much fun, was ingrained in Nixon as a child, but curiously so was a love of music. Nixon himself was a pretty good piano player. So it's the contradictions that interest me, as I think we all have them.
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
My mother made me listen to Carnatic music saying that only then I will be able to appreciate any good music. But what this has also done for me is that I'm unable to accept modern-day cinema songs.
I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.
This site uses cookies to ensure you get the best experience. More info...
Got it!