A Quote by Vidyasagar

I joined my father for recordings when I was 11 or so. By then, I could play a dozen instruments. My first professional recording was around that time. I played the vibraphone for Shankar-Ganesh in a Tamil film.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
We had a bunch of instruments around the house. Like, I played different instruments, trumpet, bass, drums, piano, all that, but whatever I could get my hands on.
Human beings around the world have to be taught to go, 'Tamil equals Tamil civilians first, and the Tamil Tiger is a separate thing.' And both of those groups are different. It's like a square and a circle.
I started playing drums at a pretty early age because my parents were musicians. My dad was an amazing multi-instrumentalist and I can play a lot of instruments, but my dad actually played all the instruments I could play and then added another twenty five or thirty five different categories on there ...he was incredible! He got an act actually in Vegas, my parents Bobby and Phyllis Sherwood.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
I miss being able to play my instruments - I'm too much of a physical wreck these days. Playing the vibraphone gives me backache, leg ache, and everything-else ache, and the asthma means I no longer have enough puff to play harmonica.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
My first club was FT Gern. I joined through my parents and friends. My father played for them and a friend from nursery school took me to training once. I was five at the time.
'Buguri' is a romantic film, and I play Ganesh's love interest. Initially, I had just hoped to do one Kannada film since I'm a Kannadiga. Now, I'm even learning to converse in Kannada.
'Richie' was my first Tamil audition and first Tamil film.
I told my father that I was not interested in studies. I was more interested in tabla, piano and other instruments. My father told me to complete school and then I could do music full-time.
Nobody played instruments in my family. My father got that bug and said he wants his son to play saxophone.
It's football. You play football. You just play injured. That's how it is. A lot of it comes from my dad. He played for Hayden Fry University in the '80s. He used to tell me about the injuries he played with. One time he tore his ACL in Week 6 and then played in the Rose Bowl in Week 12. So, if he could do that, I can do anything.
You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
The first time I joined the gym was during the Miss Sri Lanka pageant in 2006. Then, I went for the Miss Universe contest where I was exposed to girls who were very fit for their age. They could have joined the Olympics. They were doing crazy exercises.
I couldn't be happier starting 2019 with this film 'Haathi Mere Saathi.' It's the first time that I am doing a trilingual film which I'm excited about. It will be my Tamil and Telugu debut.
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