A Quote by Vidyasagar

It is disappointing to find that music in Malayalam cinema is drifting away from its strong melody-base. — © Vidyasagar
It is disappointing to find that music in Malayalam cinema is drifting away from its strong melody-base.
It is disappointing to note that you no longer find enough of melodious music in Malayalam films.
My fan base is in Malayalam cinema, and that's where I want it to be.
Apart from popular actors like Mammootty and Mohanlal, I knew nothing about Malayalam, but I got to learn so many things which became a strong base in my profession.
The only form of music is melody, without melody music is not feasible, and music and melody are quite inseparable.
In Hindi cinema, the cabaret dancers were eased out when the heroines imbibed their mannerisms. This could happen in Malayalam cinema too.
We have always wanted to give back to cinema, and we couldn't possibly think of a better way to do that than facilitate films which we believe will make Malayalam cinema proud.
The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.
I was raised by strong women, and the role models I had in music and cinema were strong, too - liberated and provocative.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
The truth is that beginning in the 1970s, the heart of our Democratic party, America's strong striving middle class, began drifting away from us.
I have always got interesting roles in Malayalam cinema.
The pacing in Tamil and Telugu is very different from Malayalam cinema.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
After playing such a strong character like Aditi Singh in 'Godha,' I was keen to play strong roles in Malayalam.
There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.
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