A Quote by Vidyasagar

Doing background score for a film is not an easy task. It requires constant and deep learning and it is the only way to create a score with finesse. — © Vidyasagar
Doing background score for a film is not an easy task. It requires constant and deep learning and it is the only way to create a score with finesse.
Most films don't have a budget for a background score, but it is the toughest job to do. We work like donkeys. And usually we get only around a month to do a score.
So I prefer to do the entire music for a film. And when I'm doing the background score, I can weave the whole film together in terms of themes and songs for a good cinematic feel.
As a point guard, you don't really have to score. The only time you have to score is when you have to score.
I only made one film with a score, and I hate it. I hate the score of that film. It's not coming from me. I had nothing to do with it.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
Because a composer's soul goes into a film, they should do the entire film, even the background score. If not, then don't do it.
A key part of helping startups is providing them with a G/SCORE that measures a company on the path to sustainability. We score companies from around the world and use Knoodle so they can easily sync video and presentations together for a more effective pitch. We send these pitches to judges all around the world and it's critical that we have a flexible tool that is easy to create, easy to deliver, and effective at letting audiences understand the entrepreneur and their innovation.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
I never enter in the pitch under pressure to score goals, but I know my position requires me to score goals.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
I don't go out and just try to score. I score because there is an opportunity to score.
I go out to every match to do my job and my teammates help me score and to be honest I score so much because they make it so easy for me.
The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
My parents are my backbone. Still are. They're the only group that will support you if you score zero or you score 40.
'Mercury' being a silent film needed a strong background score that could give you chills down the spine.
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