A Quote by Viggo Mortensen

If in my twenties I'd gotten one of the two-dozen roles that I did screen tests for and almost got, I think I would have become bored with the awards circuit, the whole hype machine.
Not all the roles that I've gotten were stereotypical, but in Korea, especially for TV, it's a bit limited for women in their twenties and thirties. There aren't enough female roles.
I personally am not very interested in awards or the awards circuit.
I think there's a little bit of a danger of a hype machine that puts forth a whole bunch of experiences that aren't great, and then a whole bunch of audience comes and don't have great experiences.
Texting is addicting. Once you get emotionally involved with constant outside stimulation assaulting your brain, it is hard to stop looking at your machine every two minutes. Without rapid fire words appearing on a screen, you feel bored, not part of the action.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
If this TV success had come in my twenties and I'd become a heart-throb, I would have been very stupid. I would have got into a lot of situations that I really wished I hadn't.
It obviously matters who gets to be president. And it's perfectly valid for us media types to advocate for the candidate we think is more qualified, based on our reporting. But the hype has gotten so out of control, it's become bigger than the presidency itself.
I never went to auditions or screen tests. I just got cast.
I think you have to find how the machine can work for you. That's what I mean by "attaching yourself to the machine," 'cause the machine is going to be there, and you can rage against the machine, which is cool, but there's ways that you can benefit off the machine if you're savvy enough and you're sharp enough, smart enough. We all got to live and eat.
I got lucky. To be frank, I was surrounded by white teachers who never did the whole, 'You're never going to amount to nothing' thing you hear about in the South. Instead, they would say, 'You're really smart. You can do this.' If I hadn't gotten that, I don't know where I'd be.
Each young reader has to fashion an entirely new 'reading circuit' afresh every time. There is no one neat circuit just waiting to unfold. This means that the circuit can become more or less developed depending on the particulars of the learner: e.g., instruction, culture, motivation, educational opportunity.
I think a handful of the roles that I've gotten to play are characters whom I've lived that are like younger versions of me but who are maybe more naive and a little bit wilder than when I was. And I've gotten to play 16 and 17 when I was a little bit older, so I got to pull from experience.
I can say with confidence that I never bought into the hype, and I made sure that the people around me didn't buy into the hype, and I did not surround myself with people who fed me the hype. And I'm glad of that as well.
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
'I Am Number Four' definitely borrows from a whole bunch of genres and has a whole bunch of different themes throughout. And I think if it was just one stale two-dimensional thing then it would be kind of boring. And I think they did a fantastic job.
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