A Quote by Viggo Mortensen

On a practical level, poetry isn't something anybody has really made a great living at. I might sell some books and, once in a while, someone might pay to hear me read. — © Viggo Mortensen
On a practical level, poetry isn't something anybody has really made a great living at. I might sell some books and, once in a while, someone might pay to hear me read.
Sometimes when you grieve, you grieve at a time where you don't really expect it. You might hear a song or you might smell something or see something that might trigger something, and all of a sudden you get hit with this rush of emotion.
Any material can be treated in any number of ways. Sometimes I might hear something, or someone else might hear something, and say, "Wow, that sounds like classical music." Somebody else might think it sounds like a slow jam.
Mediocre prose might be read as an escape, might be spoken on television by actors, or mouthed in movies. But mediocre poetry did not exist at all. If poetry wasn't good, it wasn't poetry. It was that simple.
Once, I was going to a film event, and someone told me not to wear high heels to it. They said that it might intimidate the men. For some reason, I was ready to take their cue, but about an hour later, something in my head started ringing, and I thought, 'That is the worst advice anybody's ever given me.'
Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
And this was the main precondition, that anything might be something else. Once I'd accepted that, it followed that I might be mad, or that someone might think me mad. How could I say for certain that I wasn't, if I couldn't say for certain that a curtain wasn't a mountain range?
Most of my poetry lies beyond the SF field, yet here I am corralled into 'SF poetry' as part of this poetry weekend. Of course, some might say, 'you've made your own bed - now you must lie in it!' But, while fully accepting that dictum, I'm not yet quite prepared to lie down.
The one thing I'm terrified of trying to write about is sex. I mean my God, my wife might read it or my daughter might read it or my son might read it, so no, I've never really written about eroticism at all.
Read a lot - poems, prose, stories, newspapers, anything. Read books and poems that you think you will like and some that you think might not be for you. You might be surprised.
No, but it is something I really enjoy speaking about. You've got to do something with all the books you've read, so you might as well imagine you've optioned them.
Writing books can be very individual - one might strike you as helpful that someone else found useless, or that you might not have appreciated at some other time in your life.
Did you ever hear anyone say, 'That work had better be banned because I might read it and it might be very damaging to me'?
For a while I never show anybody what I'm writing, and during that time I need the feeling that publishing is only an option. I might publish this, I might not. I think if I had to publish it, I might panic.
Some nights I might wear some crazy stuff. Some nights I might be more regular. I'll wear shoes that no one knows and is a sleeper, but it might be something that I really love.
The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.
I have learned that my assignment is to write books for people who do not like to read books. I really try to connect with people who are not given to spending a lot of time with an open book. Pay day to me is when somebody comes up to me and says, "I never read books but I read yours." I have a heart for that person.
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