A Quote by Viggo Mortensen

With any character I have played, there's infinite possibilities for how they might behave, depending on who they are talking to or how they react to things. — © Viggo Mortensen
With any character I have played, there's infinite possibilities for how they might behave, depending on who they are talking to or how they react to things.
With any character I have played there’s infinite possibilities for how they might behave, depending on who they are talking to or how they react to things.
How would you feel if you had no fear? Feel like that. How would you behave toward other people if you realized their powerlessness to hurt you? Behave like that. How would your react to so-called misfortune if you saw its inability to bother you? React like that. How would you think toward yourself if you knew you were really all right? Think like that.
In the free market, a man born into wealth or who has otherwise acquired great riches can lose his fortune depending on how he chooses to behave. Conversely, a man born into poverty or who has lost wealth once obtained can acquire a fortune, depending, again, on how he chooses to behave.
A good journalist, as you know, is a great listener. And so's a good writer. And I got to listen to people for almost 20 years. That serves me well, I hope, when I try to understand how a character might be feeling, or how they might react.
I'm interested in how we react when we're heavily pressed. When we're vulnerable and our survival is in question, how do we behave?
I played at the highest level, so I know what kind of things go through a player's mind and how he might behave, what patterns will crop up in the day-to-day routine.
You really have to act on the force, too. You're involved in a hundred things a day, and you have to react in a hundred different ways, depending on what's going on. And you learn that as you go through your career, how you handle certain situations, interrogations, how you carry yourself. There's a kind of acting to it.
You know, there's a tremendous amount of genetic propensity not necessarily for what TV shows you like but for literally how you view the world, how you react to things, how things touch you and how things move you.
A lot of times, when someone's going to pick up a game, it can be a bit daunting, like if they haven't played a roleplaying game, or they haven't played things in the series. We spent a lot of time on flow. How it feels to move through the world. How the game rewards you depending on which way you turn.
I will forever be fascinated by how people deal with adversity, how people react in moments of crisis, or how people behave when life gets uncomfortable.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
When you have children your own hypocrisy becomes more apparent because you're telling them how to behave, and you're not behaving like that yourself. So it obliges one to really go in and try to look at why there is a huge gulf between how one knows one wants to behave and how one actually does behave.
A moment was not a single moment at all, but rather an infinite number of different moments, depending on who was seeing things and how.
To know how a character will behave in any given situation is a necessity and a gift.
I have to put my father over because he really taught me a lot, especially when it comes to out-of-the-ring psychology and how to react when you're approached by fans after a show or in the airport. It might sound silly, but a lot of those things come into play when you're playing a character.
I love taking a character and raining holy hell down on them and seeing how they respond, how they react. It's one of the things I do in almost all my books - my protagonist is put through a very stressful situation that tests their strength and their psychological acuity. That's one of the core components of who I am as a writer.
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