A Quote by Viggo Mortensen
People will like to say that 'Eastern Promises' is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It's not a bunch of quick editing cuts.
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For many people, the only reason to do anything is that it's best for them individually. And I think that's why planners have to be more realistic about devising policies so the stakeholders will say, "I see what you mean - that'll help me." I think expecting people to do the right thing for the right reason leads to a lot of failure in public policy.
This whole idea of editing, not one time I can tell you, not one time has a producer ever asked me to say something I did not want to say. I will also say this about 'Drag Race' producers: I will stand by the show and the people there because they have changed so many people's lives for the better, and I'm one of them.
Some people say I'm really ugly and anorexic; some say the only reason I'm on TV is because I'm pretty. I say to them: Get your slander straight. You are what you are, whether you're small or skinny or smart or dumb. Just do what you do.
If you go to a therapist, they say, 'Are you sure? How do you feel about your wrinkles?' And I say, 'I don't know, because I don't really see them.' I see my hands, but I don't see my face, so it's not a torment. I only see it for five minutes in the morning when I brush my teeth! When you read women's magazines you always read about this drama of getting old, about anti-aging cream and plastic surgery and whatever else. But I think if you're independent, like I have grown to be, it's welcome.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
You should not say anything that you cannot put your totality behind. The total value of you is that whatever you say, you stick with it. When you don't stick with what you say, you have no value, and your decoration and your jewelry and your sex and your person have no value. Real communication is the faculty of a human that whatever you say, you stick with it.
A lot of people will say different stuff like, 'You can't do it.' They'll say no before I even say anything. You just have to believe in yourself, and there's a reason they might say no, because they probably haven't seen it before.
To say that we are closer to victory today is to believe in the face of the evidence, the optimists who have been wrong in the past. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory, conclusion. It is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could.
Let people say whatever they like, stick to your own convictions, and rest assured, the world will be at your feet. They say, "Have faith in this fellow or that fellow", but I say, "Have faith in yourself first", that's the way. Have faith in yourself-all power is in you-be conscious and bring it out. Say, "I can do everything."
When people say, "Show your face, you're not ugly." I want to say, "I know. I'm not doing it because I think I'm ugly; I'm trying to have some control over my image. And I'm allowed to maintain some modicum of privacy. But also I'd like not to be picked apart or for people to observe when I put on ten pounds or I have a hair extension out of place." Most people don't have to be under that pressure, and I'd like to be one of them. I don't go on Twitter. Because when people say things like, I don't know, "I hope you get cancer and die," it hurts my feelings.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
The humble, simple souls, who are little enough to see the bigness of God in the littleness of a Babe, are therefore the only ones who will ever understand the reason of His visitation. He came to this poor earth of ours to carry on an exchange; to say to us, as only the Good God could say: 'you give me your humanity, and I will give you my Divinity; you give me your time, and I will give you My eternity; you give me your broken heart, and I will give you Love; you give me your nothingness, and I will give you My all.
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
I like you a lot. Because you’re funny and smart and because you seem to like me. I know that’s not a good reason, but I can’t help it; if a girl likes me I tend to like her back [...] I like you for all this stuff but I also kind of like you for the cuts on your face—
It is how it has always been. We will accept the legacy of our ancestors,' Asha says, smiling, and in her smile I do not see warmth or wisdom; I see fear. You're afraid of losing your hold on them,' I say coolly. I? I have no power.' Don't you? If you keep them from the magic, they will never know what their lives could be.' They will remain protected,' Asha insists. No,' I say. 'Only untested' -page 569
I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language.
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