A Quote by Viggo Mortensen
Most movies are lucky to have one moment, one shot that you look at and you always remember that moment and that scene.
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It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment.
Does anyone remember who shot Kubrick's movies? Do you remember who shot David Lean's movies? No one remembers who shot 'Dr. Strangelove' or 'Barry Lyndon.'
I learned how to let other performers have their moment. A lot of people can't do that. They just chew the scenery and steamroll over their scene partners. It doesn't make you look better in the long run to do that. You have to have balance in your scene. If it's somebody else's moment, let them have it. Learn how to be generous. Plus, it makes the audience hate you.
The most splendid moment of an adventure is not always the moment of fulfilment, not even the moment of conception, but the moment of first accomplishment, when the adventurer deliberately sets his face toward the new road, knowing that his boats are burned.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from Armageddon to The Perfect Storm and Contact, and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.
That's the most stupid expression in the world. 'I fell in love'—as if you had no choice. There's a moment, there's always a moment; I can do this, I can give in to this or I can resist it. I don't know when your moment was but I bet there was one.
The title's 'Cowboys & Aliens,' so you can get away with a lot if you chose to. You could make it the union of Cowboys Movies and Alien Movies and done whatever was convenient at any given moment. I think that's what most people would do, especially if you went broader and more comedic. Do whatever's the most fun in the moment.
Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.
You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.
You can be the best actor in the world, but if you don't have that one lucky moment, it kind of doesn't matter. There are a lot of amazing actors who will never get the chance to prove themselves because they won't have that one lucky moment.
Make the least of all that goes and the most of all that comes. Don't regret what is past. Cherish what you have. Look forward to all that is to come. And most important of all, rely moment by moment on Jesus Christ.
I was always very interested in the storytelling decisions that went into directing. It just held this real allure for me. You know, if we're doing a scene at a dinner table, they weren't all shot the same. 'Why was the camera here for one moment and there for another?'
The tension I feel is the moment they say, 'Action!' Movies are like lightning in a bottle, and you always want to find when you possibly can catch a surprising moment.
I offer gentle understanding to myself. I position myself in love, not fear. I look behind me with forgiveness. I look forward with festive anticipation. I embrace this holy moment and assert, "Now. This moment is the moment to love, the moment to serve, the moment to seize the legacy instead of the small. Now. Now I will live large, love boldly, reach to the edges of my unfurled heart and fully enrolled hope."
My pictures are about a search for a moment—a perfect moment. To me the most powerful moment in the whole process is when everything comes together and there is that perfect, beautiful, still moment. And for that instant, my life makes sense.
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