A Quote by Viggo Mortensen

I'm very comfortable in Argentina. I was raised there as a baby and stayed there until I was 11 years old, so the first decade of my life or my formative years were spent in Argentina. I stayed in tune with the food, music and language.
I was raised in Argentina until I was 11 and now I go back there a lot, at least twice a year. It's a country where I feel very comfortable and it represents an important period in my life.
I went to Italy as a 21-year-old when I could easily have stayed in Argentina, playing for the biggest club in the land, River Plate, and having a nice, comfortable life.
I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first eight to 10 scripts were pretty horrendous, but I stayed at it, stayed at it, and stayed at it, until I eventually found a voice and a subject like Rocky that people were interested in.
I did go to Beijing, with a two-year assignment. I stayed four years. And those four years were the most formative four years in my life. What I learned was more than I would have learned in 10 years in America or Europe, and I wouldn't trade it for anything.
I was 14 years old when my dad went into rehab, and he stayed there for a long time - I don't know, 10 or 12 years maybe. He first was there as a resident, as someone trying to get sober, and it took a long time; and then he stayed on helping people get their GED.
I started playing polo when I was nine years old. I'm from Argentina, so in Argentina polo is more of a common thing. We have a lot of horses and a polo tradition and it's something that goes from generation to generation.
I stayed in Milan for six years. I stayed in Madrid for four years. I played in Brazil for nine years, so I always think about the good projects.
It was very difficult to leave Argentina when I was kid, so I only spoke Spanish for the first six years of my life.
I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.
When I was 11 years old, my mother bought me one of those chemistry sets, and I stayed with it.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
For many years, despite what I thought were really punitive decisions about women in the church, I stayed and stayed and stayed. I kept saying to myself, "The Catholic church is my church, and by God, I'm going to stay here, despite what the hierarchy does."
I was 7 years old when the '80s began and 17 years old when they ended, so it was an incredibly formative decade for me.
'Lucky Man' I wrote when I was twelve years old. I wrote it when I first was given a guitar by my mother. I only knew four chords, but I used them all to write that song. And it just stayed with me, stayed in my head. I didn't even write it on a piece of paper. I remembered it.
I could have stayed in Argentina but because I wanted to grow as a player, I went to Italy. I had the same idea in my mind when I came to Tottenham.
You know I could have stayed in my comfortable chair in South Wales having the first Welsh team that got promoted and been there a number of years, but for me I wanted to work at a club that was world class and at the very, very top.
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