A Quote by Vijay

Even today, people tell me that the slapstick humour in 'Friends' is the most viewed comedy track on television. Siddique knows the art of mixing slapstick with genuine humour.
People still talk about a British sense of humour, or French slapstick or how the Germans have no sense of humour - and it's just rubbish. I do strongly feel that we are all the bloody same.
We're delighted that Freddie Flintstone and his friends have made such a hit. The comedy is not the old cartoon slapstick. Most of it is situation stuff and dialogue.
Really, when people put together the highlight reels of the classic moments from 'Friends,' 'Seinfeld,' 'Cheers,' even 'MASH,' they're full of broad slapstick comedy. Call it cheap or lowbrow, but it works and it works for people of all ages.
People have very specific opinions of comedy. Slapstick was an art form in the '20s and the lowest form of show business in the '50s. Who's right, who's wrong? Who's an idiot, who's not?
There are thousands of ways to make people laugh - satire, black comedy, slapstick.
You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.
I want to see good-quality comedy shows, not the slapstick ones or where people imitate others.
The word 'comedy' implies slapstick.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
I would love to play Mary in 'Long Day's Journey Into Night' or 'Virginia Woolf' or a comedy - just, like, a slapstick comedy.
'Yamla Pagla Deewana' is not slapstick but a situation based comedy.
Comedy is difficult, especially slapstick. The trick is to have fun while you are performing it.
The true and lasting genius of humour does not drag you thus to boxes labelled 'pathos,' 'humour,' and show you all the mechanism of the inimitable puppets that are going to perform. How I used to laugh at Simon Tapperwit, and the Wellers, and a host more! But I can't do it now somehow; and time, it seems to me, is the true test of humour. It must be antiseptic.
Even with the darkest and most distressing subjects in movies there's always going to be humour not far away, just under the surface. And it does help otherwise we'd just get ourselves into a massive trough of depression if there wasn't humour just around the corner.
The English take everything with an exquisite sense of humour. They are only offended if you tell them that they have no sense of humour.
Humour is the describing the ludicrous as it is in itself; wit is the exposing it, by comparing or contrasting it with something else. Humour is, as it were, the growth of nature and accident; wit is the product of art and fancy.
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