A Quote by Vijay Antony
It's not that easy, but the moment the camera is switched on, I have to mould myself to breathe life into the characters I portray.
Related Quotes
You breathe in and out; you breathe in and you breathe out, and you live one moment into the next moment, and then time goes by, and you find you're able to put one foot in front of the other.
Whenever I am in front of the camera, my hair goes through a lot of harsh styling. But I ensure that my off-camera time is all about letting my hair down, taking it easy and, of course, letting my hair breathe!
Nature has cast but two men in the mould of statesmen,--myself and Mirabeau. After that she broke the mould.
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
We breathe the light, we breathe the music, we breathe the moment as it passes through us.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
Can any mortal mixture of earth's mould Breathe such divine enchanting ravishment?
It's difficult to learn to play these different disabled characters - Campbell in 'Switched At Birth' was paralysed from the waist down - but it's nice to be able to step into their world and live in these characters' shoes and to be able to play them, because it gives you a different look at life.
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
Travel moulds a man, people mould his wisdom and experiences mould his life...!
It's very easy for me to begin to believe the publicity about myself, whether for or against. It can give you an absurd idea of yourself. I know that there's a fine balance between accepting your own power with grace and misusing it. And I don't ever want to portray myself as a representative of the voiceless. I'm scared of that.
I must love big novels, because that's what I've written. It takes a while before you begin to breathe the air the characters breathe.
The characters I portray are an extension of what I've seen, heard, or read, and so what you see in my films are how I understand life.
I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.
All there is to do, right at this very moment, is to breathe in, breathe out, and kiss the joy as it flies.
Things that are present - whether it's a conversation with someone who is really grounded in the moment, a movie that feels authentic, or a moment in nature where you feel nothing but the present. It motivates me to truly ground myself, breathe, and push forward. Crashing waves.
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