A Quote by Vijay Antony

Working with newbies has its own advantages as they're open to ideas and the audience can see the actresses as themselves, devoid of any pre-conceived image from their previous films.
Every artist paints his Madonna according to his own pre-conceived ideas.
Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.
People who didn't live pre-Internet can't grasp how devoid of ideas life in my hometown was. I stopped in the middle of the SAT to memorize a poem, because I thought, This is a great work of art and I'll never see it again.
No human being...is ever conceived outside God's will or ever conceived apart from God's image. Life is a gift from God created in His own image.
I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.
The universe does not behave according to our pre-conceived ideas. It continues to surprise us.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
Some people collect paperweights, or pre-Columbian figures, or old masters, or young mistresses, or tombstone rubbings, or five-minute recipes, or any of a thousand other things... My own collection is sunrises; and I find that they have their advantages. Sunrises are usually handsome, they can't possibly be dusted, and they take only a little room, so long as it has a window to see them from.
One sees what one wants to see when there is in mind a pre-conceived notion.
There's a pressure to conform to particular images, and it feels a pretty exclusive pool of body image or facial image that is considered appealing. And in a way, that feels like pre-judging what an audience might actually want.
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
We go to sea repeatedly from Melville's time on - and the image of men at sea, like the image of men in the wilderness, seems to me to be almost an archetypal image of human beings on their own, human beings making their own way, guiding themselves by the stars they can see - rather than by faith or prayer or invisible forces.
People who didn't live pre-Internet can't grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark.
There's something really special for a young person to sit in an audience and discover somebody, and it's rare to do because so much of a movie's economics are based on pre-existing actors or actresses.
If you start trying to communicate ideas, I think you don't allow the audience to see themselves.
If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
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