A Quote by Vijay Antony

I get commercial acclaim because of critical acclaim and it is a chain reaction. — © Vijay Antony
I get commercial acclaim because of critical acclaim and it is a chain reaction.
Everyone wants to be liked, so of course you want critical acclaim. After that, box office acclaim isn't bad. More than anything I think you have to try and make something you're proud of.
Without critical acclaim, you are just a successful commercial director, and nothing more.
All I am looking for is a fine combination of critical and commercial acclaim. Whether conventional or unconventional - does not matter.
Critics can get you critical acclaim - nothing more than that. Success or failure depends on the public.
I am not going to become a critical-acclaim-junkie at all.
I don't take films to prove my talent and receive critical acclaim or awards.
Whether the work that I do shall succeed or achieve critical acclaim is for the audience to decide.
I became a war hero before going on to critical acclaim as a professional victim.
I'm always like, 'Well, let's not rest on a critical acclaim or on a incredible review or on a great reception.'
Not all are starting from the same line; however, the finishing line is certainly the same. We all have to show how much money our films make or how many awards we win or what critical acclaim and commercial success our films have.
We took 'BFF' around to try and take it somewhere else because we were really proud of it, and it had gotten all that critical acclaim, and Twitter fans were going crazy about it.
A tendency to focus on art over business has meant that too many designers have failed to make the most of their critical acclaim.
Fact is, I won popularity with my first film itself. Since I got acclaim very early in my career, people weren't that critical of me.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
As critical acclaim and response has built up, every interview I give is a chance to puncture the myth I've created about my work and refine it.
I would be surprised though if I don't get unbelievable critical acclaim for 'Dirty Picture' and a national award for my actress, Vidya Balan. The movie has one of the most well-written scripts I have come across, and a lot of youngsters in my office have looked at it with great admiration.
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