A Quote by Vijay Antony
As an actor, I give 60 days to act in a film, but the writer takes nearly two to three years to create a story.
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For 60 years you gave chance to Shasaks, now I request you to give a Sevak 60 months. I say give me 60 months and we will give you a life of peace and happiness.
Animation story boarding works differently than live action story boarding. The story crew along with a writer really does shape and create the film - the world and it's characters. We meet almost every day and brainstorm the plot of the film. It's a highly collaborative process - and we continue to improve the story until we literally run out of time.
A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
In magic, it takes two or three years for me to create a 5-minute illusion for me to get it to the level I want.
It takes me two to three years to write a novel. A screenplay is 100 pages and takes five years.
Silicon Valley has been developing as a startup community for over 60-70 years. This notion that you can create something in two or five years is foolish.
I decided I was going to give up singing and concentrate on acting, and a result of that, I didn't do another film for two to three years, and I don't blame it on anybody but myself.
I decided I was going to give up singing and concentrate on acting, and a result of that, I didn't do another film for two to three years, and I don't blame it on anybody but myself
What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
It takes two years on the stage for an actor or an actress to learn how to speak correctly and to manage his voice properly, and it takes about ten years to master the subtle art of being able to hold ones audience.
It takes two years on the stage for an actor or an actress to learn how to speak correctly and to manage his voice properly, and it takes about ten years to master the subtle art of being able to hold one's audience.
A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
I guess I would say that most of what I've learned about storytelling derives from novels and short stories. I cannot think of a novel or story, or a novelist or story writer, who thinks in terms of three-act structure.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
I love what I do and feel really lucky to still love what I do - I want to get out of bed and go to work at least three out of five days a week! My fear is it ends up any less than three days. But design-wise, I've still got an appetite, a lot more I want to say with my work - the story is not nearly complete!
We took a fair bit of liberty with the story, but the basic premise of the film ["Selling Isobel" ] - a girl is kidnapped on the streets of a city and held captive for three days and two nights while various men show up and exploit her - is the exact truth.
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