A Quote by Vijay Antony

Compared to my previous films, 'Kaasi' is special. All credit goes to the director. — © Vijay Antony
Compared to my previous films, 'Kaasi' is special. All credit goes to the director.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
The first week or day that Obama was in office, he made it clear that peace in the Middle East would be a high priority for him. And his choice of a special envoy, George Mitchell, compared to the previous special envoys chosen, is remarkable.
Chinnadana Nee Kosam' is a very good romantic entertainer. Compared to my previous films, the emotional content in this film is strong.
The credit for the success of my films go to the director and the script.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
The unemployment numbers are down to the lowest in 25 years.... The principle credit goes to Janet Reno, who continued to appoint special prosecutors.
I would say, compared with the 19th century, compared with most previous history, this is as good or better a society than any which man has ever made. But that doesn't mean it is such a good one.
If this film has come out so well, the credit goes to Trivikram garu. This one is a 100 percent director's film. He is the real hero of 'A Aa.'
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
It's a great luxury for me to be able to write on the films that I direct, and kind of a nice thing to be able to write enough to get credit, which is difficult for a director.
My goal is that my films should at least match up to my previous films if not be more.
My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
I love Rajkumar Hirani's films. I saw 'PK,' and I didn't like it much... But I loved his previous three films.
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