A Quote by Vijay Iyer
My music is always called "cerebral." It is a way of saying I'm Asian, and therefore everything I do is brainy.
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Try to understand what I am saying: everything is dependent on everything else, everything is connected, nothing is separate. Therefore everything is going in the only way it can go. If people were different everything would be different. They are what they are, so everything is as it is.
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.
I married an Asian. I have eight biracial children, therefore I'm quite certain that I'm the last person that could be called a racist.
It was quite strange that people were saying I wasn't Asian enough. It's like, 'Oh, you're not Asian enough to play an Asian role.' So what does that mean for people who come from mixed heritage? I grew up in Asia; I'm Malaysian.
But everyone comes to Hollywood hoping to get a role people are going to remember them for, and I get girls saying I was their first crush, or Asian guys saying Rufio was the first time they saw an Asian kid on-screen that wasn't nerdy or stereotypical, so I was lucky the character that resonated was cool.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
Starting probably with Janeane Garofalo and that era of stand-up ladies who were starting to be more brainy and strong and clever, guys started noticing those girls as sexy smart. I always called it smarxy.
I always had, deep down, a slight aversion toward the purely cerebral in music.
I think it's hard to put a finger on my music. My music has always been an amalgamation of everything I listen to, which includes everything and anything under the sun. Hip-hop to country to R&B to pop, all the things I'm inspired by find a way into what I do.
I always called him the Dizzy Dean of music, he was so belligerent and braggadocio... But one thing I always noticed about Jelly, he would back everything he said by what he could do.
I was always real deep into music. From everything, all around the board - from East Coast, West Coast, down South, everywhere. I just been a fan of music and I know I always wanted to do it myself and I wanted to do it my way. So, I told myself if I ever start doing music, I'ma do it my way. That's what made me start my own label.
Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided
with a stack of empty oil drums during a birdcall contest.
I remember people saying, "Believe me, everything in your life is going to change..." And I thought, "Why? That's such a bourgeois way of thinking." And then you have a child and yes, everything changes. It affects the way we live, what we do, and where we go - everything. And I wouldn't have in any other way.
A lot of 'Star Wars' fans who are specifically Asian never had a character they could dress up like, or they would, and people would always call them 'Asian Rey' or 'Asian fill-in-the-blank.'
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
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