A Quote by Vijay Iyer
What we call music is what reminds us of ourselves. And sometimes electronic music helps lead the imagination to a space that seems outside of ourselves. But it never really is.
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Sex, creativity, music, art, family, love, beauty, and creative imagination are all part of the spiritual path in the tantric traditions. So I think that for today that has a lot to say to us about not dividing ourselves from ourselves.
We wanted to really push ourselves on 'Past Lives' to actually hold back sometimes, sing in falsetto, let the music open up and take its space.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
Close friends are truly life's treasures. Sometimes they know us better than we know ourselves. With gentle honesty, they are there to guide and support us, to share our laughter and our tears. Their presence reminds us that we are never really alone.
Let us fix our attention out of ourselves as much as possible; let us chase our imagination to the heavens, or to the utmost limits of the universe; we never really advance a step beyond ourselves, nor can conceive any kind of existence, but those perceptions, which have appeared in that narrow compass.
Sometimes when we think we’re protecting ourselves, we’re really hurting ourselves. And sometimes the people around us too.
People call me a bedroom electronic musician, which I suppose I am. But I hate most electronic music; I find it really boring.
Producers on Broadway approached us with an original script after relaunching ourselves as 'A Great Big World,' and wanted us to write the music. They asked us to make the music we would sing if we could, and so we can go a little crazier. We refer to it as 'our music on steroids.'
if the main reason we listen to music in the first place is to hear passion expressed- as i've believed all my life-then what good is this music going to prove to be? what does that say about us? what are we confirming in ourselves by doting on art that is emotionally neutral? and, simultaneously, what in ourselves might we be destroying or at least keeping down?
It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music.
We found ourselves believing or allowing ourselves to believe what our industries told us, which is lead helps to guard your health was one of the ads that appeared in the 1920s. Lead takes place in modern games, lead is part of our everyday life, all these ads and propaganda that came out of the very time when physicians and public health workers and reports were appearing of children around the country who were literally at that point dying and going into convulsions because lead was poisoning them.
Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.
In moments of despair, we look on ourselves lead-enly as objects; we see ourselves, our lives, as someone else might see them and may even be driven to kill ourselves if the separation, the "knowledge," seems sufficiently final.
When we let ourselves respond to poetry, to music, to pictures, we are clearing a space where new stories can root, in effect we are clearing a space for new stories about ourselves.
I think showing heroes as fallible helps us and reminds us that we are ourselves fallible and no man is perfect but we can still achieve great things.
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