A Quote by Vijay Iyer
If we reject the word, or any word that labels music, what's left? That's the question we should all ask ourselves. Ben Ratliff asked it, and he came up with aesthetic categories. That's not what I would say. What's left are communities who make music together, or among whom music circulates. That's it.
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I came up at a time in the late '60s, early '70s where music was without boundaries. You'd go into a music store, and the music was in alphabetical order. I hadn't heard of that word 'genre.'
A lot of labels always feel the need to tell you how they think the music should be marketed and what songs work best where. I say make music you love doing, come up with a strategy, and put it out there.
When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
As a child brought up in Paris, I dreamed of America, that lost world my parents had left behind - it was in my genes. Plus, American music has always been close to my own aesthetic, because of the mix of symphonic music with jazz.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
We can mention only one point (which experience confirms), namely, that next to the Word of God, music deserves the highest praise. No greater commendation than this can be found — at least not by us. After all, the gift of language combined with the gift of song was only given to man to let him know that he should praise God with both word and music, namely, by proclaiming [the Word of God] through music.
Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.
If politically infused music is denied airplay, music reviews or festival stage time because it is considered "politics" rather than "art", then there will be no music left to ban. It will never reach the surface anyway, not to the larger audience. I believe that there is a high degree of censorship in the west, most importantly in the form of self-censorship among musicians themselves. This is why what you hear on the radio is - increasingly often - pure and toothless entertainment. Almost by definition, there's nothing left in pop music worth banning.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
Some say the word 'pop' is a derogatory word to say 'not important' - I do not accept that. If the word 'classic' is the word to say 'boring,' I do not accept. There is good and bad music.
I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.
Music is cyclical, but I've never thought of the music I make as being so off the wall or left field that it wouldn't always have an audience that would relate to it.
Producers on Broadway approached us with an original script after relaunching ourselves as 'A Great Big World,' and wanted us to write the music. They asked us to make the music we would sing if we could, and so we can go a little crazier. We refer to it as 'our music on steroids.'
Experiments on split-brain patients reveal how readily the left brain interpreter can make up stories and beliefs. In one experiment, for example, when the word walk was presented only to the right side of a patient's brain, he got up and started walking. When he was asked why he did this, the left brain (where language is stored and where the word walk was not presented) quickly created a reason for the action: I wanted to go get a Coke.
You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.
A lot of people make music to sell music. I don't just sell music. I am essentially, I guess the word I want to use is, it's like an energetic transaction.
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