A Quote by Vijay Iyer
I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.
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What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
Everything we've done has been designed to make sure that we address that number one priority. That's what the sanctions regime was all about. That's how we were able to mobilize the international community, including some folks that we are not particularly close to, to abide by these sanctions. That's how these crippling sanctions came about, was because we [USA] were able to gain global consensus that Iran having a nuclear weapon would be a problem for everybody.
For just being a black artist in rock n' roll and be able to step outside and create, and make great music. And just be different. Just a different breed. And that's what I love about Jimi Hendrix's music - the way he plays the guitar is so different. He's just an icon all around.
I've always been interested in how fast-moving our identity is and that I've never been able to pin down who I truly am. That inspires me to write, because I feel like that cements me a bit, in that I find my identity in being an artist.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
As a black person I am no stranger to prejudice. But the truth is that in the political world I have been far more often discriminated against because I am a woman than because I am black.
I think I've been very fortunate, considering the obstacles that I had to deal with, you know, just being - by virtue of being a brown, lovely, brown-skinned man. But on the other hand, I've been able to make a good living, and I've been able to take care of my family, which is most important to me.
You know, I suffer kind of from survivor's guilt. It's like you suffer from success because you feel like - why me? Why am I so special? What makes me so different from the next man and why am I able to achieve these things that this person can't? Prayer is the only thing that helps me get through it.
There might have been a point in my career where, because people have been telling me I'm an activist, I took on that label. But in retrospect, I don't think that's what I am - or what I've been - just because I'm vocal about my identity sometimes.
Coming through the fire and through the storm of life with a strong man, my fiance Ashanti, whom I've been dating for eight months and two wonderful children beside me, I'm just so happy that I have been able to maintain my integrity and get to where I am today with the right energy around me.
For me to be able to reach out to other people throughout all this has been great, people want to hear from me and hear my music right now so it keeps me happy. I cherish every moment. I have a different perspective on everything now. In the end, I think it will make me a better person.
Well, I have considered myself to be very fortunate in that I have been able to do mostly only that which my inner self told me to do... I am also aware that I do receive much criticism from the outside world for what I do and some people actually get angry at me. But this does not really touch me because I feel that these people do not live in he same world as do I.
I don't make music for any other reason than me enjoying music, and I am also glad that I am able to make a living of this.
The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
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