A Quote by Vijay Kumar

We can make aircrafts that can navigate a maze of hallways. — © Vijay Kumar
We can make aircrafts that can navigate a maze of hallways.
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
'Maze Runner' is about a group of teens that live inside this giant maze. And outside the maze are these creatures that come out at night. The centerpiece of the maze where we stay is called the Glades, and we call ourselves the Gladers.
Where everyone else sees a straight line, you see a maze, and when I'm done talking to you, the maze starts to make more sense --Reply by Dove to Aly's silent inquiry
A rat in a maze is free to go anywhere, as long as it stays inside the maze.
There is no route out of the maze. The maze shifts as you move through it, because it is alive.
Men speak of blind destiny, a thing without scheme or purpose. But what sort of destiny is that? Each act in this world from which there can be no turning back has before it another, and it another yet. In a vast endless net. Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in the maze is itself an enslavement for it voids every alternative and binds one ever more tightly into the constraints that make a life.
Critical thinking relies on content, because you can't navigate masses of information if you have nothing to navigate to.
The point is that getting married for lust or money or social status or even love is usually trouble. The point is that marriage is a maze into which we wander - a maze that is best got through with a great companion.
I look at people holdings hands in the hallways, and I try to think how it all works. At the school dances, I sit in the background, and I tap my toe, and I wonder how many couples will dance to ‘their song.’ In the hallways, I see the girls wearing the guys’ jackets, and I think about the idea of property. And I wonder if anyone is really happy.
He felt full of a dense and sour substance that was blocking his chest, and it wasn't grief. After all those years, life now seemed like no more than a trap, a maze, not even a maze, just a room that was all walls, no door.
It's not that demanding. It's fun. That's one of the great things about being an actor. You get to learn all these things normal people don't get to learn. Going through hallways where it's basically like S.W.A.T. tactical stuff. Around hallways, how to cross, how to signal everyone. Then how to hold a gun, holster the gun - everything.
To me, the most interesting approach to film noir is subjective. The genre is really all about not knowing what's going on around you, and that fear of the unknown. The only way to do that effectively is to really get into the maze, rather than look at the maze from above, so that's where I sort of come at it.
Within a culture possessed by the myth of feminine evil, the naming, describing, and theorizing about good and evil has constituted a maze/haze of deception. The journey of women becoming is breaking through this maze - springing into free space, which is an a-mazing process.
When I was in New York it was like a maze, a rat maze, going from one little box to another little box and passing through passageways to get from one safe haven to another.
I'm sort of like a rat in a maze - I'm moving forward, and any choice I make at the time seems like the only one I can make.
An individual ant, even though it has a brain about a millionth of a size of a human being's, can learn a maze; the kind we use is a simple rat maze in a laboratory. They can learn it about one-half as fast as a rat.
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