A Quote by Vijay Sethupathi

Director Jai Krishna is an optimist who has a never-say-die attitude. He has impressed me thoroughly with his faith in the industry. Not many are aware of the fact that this man had to wait for almost 30 years in this industry to direct 'Vanmam,' his first film.
I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.
I am happy that I got an international offer by a French director but I won't be able to take part in his film as he wanted me exclusively for two years. As I am getting many offers from Bollywood and the television industry, I won't be able to do it.
To take from one because it is thought that his own industry and that of his father's has acquired too much, in order to spare to others, who, or whose fathers have not exercised equal industry and skill, is to violate arbitrarily the first principle of association-the guarantee to every one of a free exercise of his industry and the fruits acquired by it.
So much for industry, my friends, and attention to one's own business; but to these we must add frugality if we would make our industry more certainly successful. A man may, if he knows not how to save as he gets, keep his nose all his life to the grindstone, and die not worth a grout at last.
He pulled the Carstairs family ring from his finger and held it out to Will. "Take it." Will let his eyes drift down toward it, and then up to Jem's face. A dozen awful things he could say, or do, went through his mind. One did not slough off a persona so quickly, he had found. He had pretended to be cruel for so many years that the pretense was still what he reached for first, as a man might absently turn his carriage toward the home he had lived in for all his life, despite the fact that he had recently moved. "You wish to marry me now?" he said, at last.
When I came to the industry, many directors like Krishna Vamsi and Puri Jagannath had encouraged me a lot. Krishna Vamsi is my mentor, and I admire him. That's why I give chances to new directors.
There are many roles and I haven't had the opportunity to do any of them. I jokingly tell people 'Sometimes I wonder, is the film industry waiting for me to die and then say it's sad. He was a good actor. He was underrated and didn't have enough chances.'
I probably complained more when I was younger. The movie industry can be frustrating but I think sometimes I could have been more helpful, approaching a film as a partnership rather than being critical of a director's ignorance. I wasn't sensitive to the fact that it's very hard to direct.
I didn't read the script [ Rules Don't Apply ] for a couple years. It basically amounted to this kind of apprenticeship with Warren [Beatty]: conversations and learning about his whole background in the film industry and his life.
I became a fanatic of the architecture of Le Corbusier and I visited almost all his buildings and read all his books. Only later on did I discover that all the things that impressed me in his books, particular his ideology, he had picked up from Auguste Perret.
I have been with Donald for 18 years, and I have been aware of his love for this country since we first met. He never had a hidden agenda when it comes to his patriotism because, like me, he loves this country so much.
The problem is we never had a separate music industry, we always had film music industry. The west has it and that's why musicians are stars and icons there.
There are definitely roles within this industry that are industry-related, but to be a good actor, you really have to want to act first. At the same time, my goal was never to go to Hollywood to make movies. I think if you come here with that attitude, then you've missed a few steps.
All the stories of the Bible that I know came to me first from my grandfather's lips... He would see stories in everything. He told stories very easily and very generously, so I loved him for that. He was a simple man, a Victorian; he was born in 1890-something. He saw no reason and had never seen any reason to question his Christian faith. His faith was strong and simple and that's it. And I, like his other grandchildren and the children in his parish, sheltered underneath it.
First of all, 'Sarkar' is not an underworld film. It's about a man at the head of a feudal set-up in the middle of a cosmopolitan city, where he almost runs a parallel government largely due to his personal charisma. And the film is about his friends and enemies and his family.
A man of sense is never discouraged by difficulties; he redoubles his industry and his diligence, he perseveres and infallibly prevails at last.
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