A Quote by Vijay Sethupathi

When I did 'Naanum Rowdy Thaan' with Nayanthara, she was in the peak of her career - I was apprehensive about her willingness to act with me. — © Vijay Sethupathi
When I did 'Naanum Rowdy Thaan' with Nayanthara, she was in the peak of her career - I was apprehensive about her willingness to act with me.
I don't differentiate a film as off-beat or commercial, because I just don't understand the difference. 'Naanum Rowdy Thaan,' for example, wasn't written for me. It came to me by chance after two or three other heroes turned it down. I agreed to do the role, as I liked the script immensely.
I have sung many songs in Tamil and have been nominated for Filmfare Tamil this year for Neeyum Naanum for Naanum Rowdy Dhaan.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.
But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate.
I once picked up a woman from a garbage dump and she was burning with fever; she was in her last days and her only lament was: My son did this to me. I begged her: You must forgive your son. In a moment of madness, when he was not himself, he did a thing he regrets. Be a mother to him, forgive him. It took me a long time to make her say: I forgive my son. Just before she died in my arms, she was able to say that with a real forgiveness. She was not concerned that she was dying. The breaking of the heart was that her son did not want her. This is something you and I can understand.
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
Though Nathalie Dupree did not remember much about my presence in her class, it marked me forever. I remain her enthusiast, her evangelist, her acolyte, and her grateful student. She taught me that cooking and storytelling make the most delightful coconspirators.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
Nayanthara stopped signing films when she was at the pinnacle of her career for our love, and we wanted to get married with the blessings of our parents.
So You Want to Know All about her. Who she really is. (Was?) Why she swerved off the high road. Hard left to nowhere, recklessly indifferent to me. Hunter Seth Haskins, her firstborn son. I've been chocking that down for nineteen years. Why did she go on her mindless way, leaving me spinning in a whirlwind of her dust?
My mother gave me the courage to pursue music as a career on her deathbed. She became very ill when I was 21. I didn't want her to worry about my future. I wanted her to know I'd finish my degree. But she pushed me to follow my dream, even if it wasn't the safe option.
One thing about my mother is that she has her taste: She knows what she likes and what looks good. It's not studied. There is no insecurity in what she is going to wear, and I think that translates into effortlessness. Her career has been a steady rise, and it hasn't been about the fashion of the moment. It's been because she has kept to her style. She didn't go grunge when it was grunge, or 70's when it was 70's. It's about being secure with what you like and not worrying about what's in fashion that particular day. That's what I admire about her.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
I look at Willow and she's so naughty and fiery, and I'm not going to take any of her fierceness personally - my mom took all of my behavior personally. Everything I did, she thought it was an act of rebellion against her. But it was just me being me. And that's something I want to post on every mirror in my house: This is not about you!
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