A Quote by Vijay Sethupathi

'Purampokku' was one of those rare films made just like it was narrated. — © Vijay Sethupathi
'Purampokku' was one of those rare films made just like it was narrated.
I'm not a purist - I like films that are narrated and films that aren't, films that are beautiful and films that are clumsy but heartfelt. Mostly, I just like a good story and good characters.
It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
It is unintentional that I will do less films, it just happened that way. Like in 2000, I had a line of films signed but it all went for a toss. The films never got made... It just happens.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
Filmmakers who use narrators pay a price for taking the easy way: narrated films date far more quickly than films without narrators.
Films like 'Jungle' are rare. It was a powerful role and in the future I would like to be associated with such films rather than being part of nonsense stuff.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I always wanted to play a boxer because some of my favorite films, as a boy, were those great boxing movies, like 'Raging Bull', 'Rocky', 'The Set Up', 'Fat City and Hard Times'. I just loved those films.
When I say 'rare,' it's my own term. It's like you're doing something with a photo that is dominant that no one has ever seen before. #Rare means that it can only be seen here. It's just a rare moment that I'm sharing with the world.
I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Shock equals discovery, and if I narrated my past, you'd be pretty grossed out too, I bet - same as if you narrated yours. Aren't we all composed of our past mistakes? Isn't that part of emerging into an adult awareness of the world?
I made French films and other films and a lot of Arabic films, but what I like is English for myself.
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