A Quote by Vijayashanti
Directors have to come forward and give women a chance to show their potential; they have to create more lady superstars.
Related Quotes
There aren't more lady songwriters for the same reason that there aren't more lady doctors or lady accountants or lady lawyers; not enough women have the time for careers.
It took the United States until 1920 to give women the franchise and another 40 or 50 years to start utilizing women's potential. How many women of incredible potential did we fail and what achievements were lost to all because we never tapped that potential?
I like to show my ability on the field. I'm not one to show off with words. I'm really looking forward to the chance. I'm a calm goalkeeper, and above all, I've got a real desire to win. When I get on the pitch, I give everything for the team, everything for the shirt.
It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
The Women's World Cup gives FIFA a chance, once every four years, to showcase the growth of women's soccer. It gives FIFA a highly visible opportunity to encourage countries around the globe to also support their women's programs. It gives FIFA the forum to show countries the potential of women's soccer if only you support it.
The great thing about WWE is the fact they are branching out and doing more brands. Having this just creates more opportunities for everybody, and I just want them all to get a chance. Especially in England. I know we have a lot of British superstars, but it's still a lot harder for Brits to come over here in America.
It was my duty to give them the best show possible. Say you've got a timid little preacher in North Carolina or somewhere. He'll bring in visiting evangelists to keep his church going. We'd come in and hit the crowd up and we were superstars. It's the charisma of the evangelist that the audience believes in and comes to see.
Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
I remember, even when I started with WWE, it was a different ball game. There were all these restrictions and things we couldn't do, and now, it's really empowering to know we can do anything that we want and what the guys can do. It gives women the opportunity to show why we're more than divas and why we're WWE superstars.
In my experience, directors who are the most comfortable with themselves and confident in their work give you and everybody on the crew the freedom and the space to create. It's the people who are more insecure who feel the need to control and micromanage.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I guess my mission statement is now to let the world know on a global scale that WWE certainly is a wonderful form of entertainment, but its superstars are more than just superstars inside the ring. They do so much more outside the ring and have so much more to offer.
When we liberate the economic potential of women, we elevate the economic performance of communities, nations, and the world... There is a stimulative and ripple effect that kicks in when women have greater access to jobs and the economic lives of our countries: Greater political stability. Fewer military conflicts. More food. More educational opportunity for children... By harnessing the economic potential of all women, we boost opportunity for all people.
You need not give others a chance to exploit you always. We should know what kind of exploitation is taking place. I cannot create an incident to say that women have been exploited in Malayalam film industry.
Potential is just potential until you can pull it off, and you need to show up ready to exercise the plan in mind. I've always come from that place in everything I've ever done.
Filmmakers now have the freedom to create the type of movie they want. More screenwriters, directors, and producers now have the chance to see their words on screen now that VOD and streaming outlets are available. Overall, it's a good thing for filmmaking and documentarians.
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