A Quote by Vijayashanti

I don't want to comment on other film stars. — © Vijayashanti
I don't want to comment on other film stars.
People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.
People have stars, but they aren't the same. For travelers, the stars are guides. For other people, they're nothing but tiny lights. And for still others, for scholars, they're problems... But all those stars are silent stars. You, though, you'll have stars like nobody else... since I'll be laughing on one of them, for you it'll be as if all the stars are laughing. You'll have stars that can laugh!... and it'll be as if I had given you, instead of stars, a lot of tiny bells that know how to laugh.
People should say 'no comment' more often. No comment! I love no comment. Let's have more no comment.
Stupidly, in our industry, producers pay precious money to sign stars whom they might not even use in the film. Producers believe stars make hits; actually it is the script that makes a film successful.
The film that changed my life is a 1951 film by Vittorio De Sica, 'Miracle in Milan.' It's a remarkable comment on slums, poverty and aspiration.
I want to have a great director, and also a great producer and co-stars. And there should be a tight script. After all, regardless of how the film turns out, I must have fun doing the film!
To direct a genuinely animated film, you're really having meetings and discussing what you want with animators who then go off and produce one shot at a time that you look at and comment on.
I'd made pretty clear to the people at Paramount and Dreamworks that, if they wanted Lemony Snicket to comment, he would be completely horrified by the entire film. And as long as they understood that, it was okay. I'm not much of a fan of DVD commentaries myself, so this was my way of getting revenge, in a sense, for all the puffed-up directors and stars who talk endlessly about the self-aggrandizing minutiae of making a movie.
When it comes to Jewish sensitivity, I don't find the proposition compelling that non-Jews have no right to comment. We all have the right to comment about each other. And I object when people say that these comments are motivated by anti-Semitism.
Today, most big stars want scripts to be written in a particular way, show them in a certain light. They want people to like them for various reasons. It's all about how much people will like me in this film than about whether it's a good film or not.
I think people connect better with TV. stars over film stars.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
If someone appears on television and makes a comment, and we quote that comment, we are being accurate. But are we actually being sensible if we don't know if that comment is based on any facts whatsoever? It is something that journalists have to be much more aware of.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
Can a nation remain healthy, can all nations draw together in a world whose brightest stars are film stars?
There are some audiences who are uncomfortable with the ambiguity, though. They want a film to chew their food for them, they want Hollywood endings that tie everything together in the end and answer all of the questions. They are usually people on one extreme of the political spectrum or other and they haven't been happy because the film is not polemical enough on their side. They aren't usually people who aren't interested in understanding points of view that they disagree with - they just want to attack their opponents - and I'm ok with them not liking the film.
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