A Quote by Vik Muniz
I think pure light has something to do with actually seeing everything at once. It's kind of a nirvana of sorts.
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In terms of getting super successful, every once in a while, something very different gets successful and than everything that comes after is kind of like it, maybe. That's what happened with Nirvana, which was so out there and changed everything, and then so much after became imitative of them.
I don't think there are in life, pure darkness or pure light. Everyone's got a little of everything.
When your mind is flooded with the pure light of nirvana, which is happiness itself, you will be delighted with whatever occurs to you.
The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
Like the way the sun is right now, with the long shadows, and that kind of bright, soft light you get when the sun isn't quite setting? That's the light that makes everything better, everything prettier, and today, everything just seemed to be in that light.
We actually needed the memory - if you see the film - as a very different kind of a plot device of revealing some information to our main character. So we chose to represent it as these sort of beautiful little snow globes, which kind of, weirdly, that's the way we think of memories - at least, most of the folks that we talked to. You think of these memories as being very pure and absolute and unchanging. That's not actually real life.
Every human soul has seen, perhaps before their birth, pure forms such as justice, temperance, beauty and all the great moral qualities which we hold in honour. We are moved towards what is good by the faint memory of these forms, simple and calm and blessed, which we saw once in a pure, clear light, being pure ourselves.
I think there's something unique in the fact that her powers come from the same thing that powers him, and that is how we've made them have that kind of... that specifically in common, as opposed to it being something else that the comics kind of created, which has been pure romance. But they do have something uniquely special because of that.
Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.
I owe everything to Nirvana. But I can't let that overshadow the future. For the first few years, I didn't even want to talk about Nirvana. Partly because it was just painful to talk about losing Kurt but also because I wanted the Foo Fighters to mean something.
The aggregates that we pick up in the human plane will be washed away, and we will become pure spirit, pure light, pure love, and pure ecstasy.
There's also something that is often mistaken for enlightenment which is a kind of insanity. Often, people will have some kind of weird experience which is quite abnormal and think, "Oh my God, that's it, I understand everything" because they start seeing things in a very weird way and think that's how enlightened people see things as well.
There is something about the medium [in comics] that allows for a simulation of actual experience with the added benefit of actually reading. You're reading pictures, but you are also looking at them. It's a sort of combined activity that I can't really think of any other medium having, other than, say, a foreign film when you are reading and seeing. It allows for all sorts of associations that might not come up with just words or just pictures.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
There's plenty of room for all sorts of movies and all sorts of comedies, so I never saw that as a competitive thing. I think there's room in the marketplace for everything.
Maybe you're not perfect, but you're willing to actually look at yourself and take some kind of accountability. That's a change. It might not mean that you can turn everything around, but I think there's something incredibly hopeful about that.
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