A Quote by Vik Muniz
It's not about fooling somebody, it's actually giving somebody a measure of their own belief: how much you want to be fooled. That's why we pay to go to magic shows and things like that.
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You feel like a criminal. Knowing you can knock somebody out and know you can put somebody in a temporary coma, that's what you want to go for. It shows how strong, how powerful a person can be to be able to do that.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
When you go to that other country you realize that in France and in England, you don't ask somebody what they do for a living when you meet someone. A lot of the obvious things, the shortcuts we take in America - in America you can talk about money all you want. You can ask how much they make, rent they pay, how much their house costs and how much their car costs, and they'll feel comfortable telling you. But it's scandalous to ask anyone in England or France a question like that.
I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else’s. That we are the main characters in our own play, not props in somebody else’s—which is how women’s sexuality is treated now. Whatever the outside attitudes about sexuality it’s always about somebody’s agenda for us, and I want a world where we can have our own.
The reality is that fulfillment, success and all of these good things comes from trying to help those that we care about to achieve those things. How can I help somebody I care about find the job they love? How can I help somebody I care about find happiness in their work? And when we commit to service it actually biologically and anthropologically is more likely to lead to our own success and our own happiness.
Somebody can say they don't understand why somebody drifts. But I've always found people who drift interesting, 'cause it shows me the game's not stagnant in their own head. They're thinking.
I don't just want to show how somebody might be wrong;I want to know why people believe the things they believe in the first place. I want to understand the mindset that would lead somebody toward the alt-right.
I don't want to fool people. If I wanted to do that, I would be working with virtual reality. I want to operate on the other level, the other end of the illusion spectrum. I want to create the worst possible illusions so it doesn't really fool people, but instead give people a measure of their own belief. It makes them aware of how much they need to be fooled in order to understand the world around them.
I love sitting down with my friends at dinner and actually telling them a story, as opposed to going, "Hey, did you see that thing I posted on Instagram?" For me, I would so much rather sit there and actually share a story with somebody and have somebody tell me about their trip, or things like that. I don't need to see it.
All my life I've felt like somebody's wife, or somebody's mother or somebody's daughter. Even all the time we were together, I never knew who I was. And that's why I had to go away. And in California, I think I found myself.
To me, the best purpose of an interview would be to illuminate some things about how somebody works for the benefit of somebody else who wants to do those things. And that's not where most interviews go at all, so to me, they seem like strange exercises in small talk and wasted air.
When I went travelling around Europe there was the Eurovision song contest on, and I got a bit dunk and we missed our train to Budapest the next day. Anyway, when I got back I kind of realised how many songs there were about people giving up things for somebody, so I thought I'd make a song about giving up things I don't have. These elaborate things that I don't have that I could give up to somebody, and I kind of thought there was kind of some sweet sentiment in that.
I want a human sermon. I don't care what Melchisedek, or Zerubbabel, or Kerenhappuk did, ages ago; I want to know what I am to do, and I want somebody besides a theological bookworm to tell me; somebody who is sometimes tempted and tried, and is not too dignified to own it; somebody like me, who is always sinning and repenting; somebody who is glad and sorry, and cries and laughs, and eats and drinks, and wants to fight when they are trodden on, and don't!
I'm somebody who doesn't work with a stylist. I'll be honest with you, I'm a mom and it's just not something I want to put money toward because it's expensive to have somebody who helps dress you and I feel like I have to pay for preschool and so many things so I don't have a stylist.
I'm somebody who doesn't work with a stylist. I'll be honest with you, I'm a mom and it's just not something I want to put money toward because it's expensive to have somebody who helps dress you and I feel like I have to pay for preschool and so many things... so I don't have a stylist.
If there's one kind of music that makes somebody happy, how is that a bad thing? And if there's another kind that makes somebody else happy, how is that a bad thing? I don't get why anybody cares about what they don't like so much.
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