A Quote by Vikas Swarup

Indian writers have appropriated English as an Indian language, and that gives a certain freshness to the way we write. — © Vikas Swarup
Indian writers have appropriated English as an Indian language, and that gives a certain freshness to the way we write.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
People are rushed and inspired by the success of Indian writers, and are falling over themselves to write novels. Every Indian is writing a novel right now. No one wants to revise.
Indian cinema gives you everything that western cinema doesn't. It's maseladar and spicy. If you like Indian food, I think you'll love Indian movies.
Indian culture certainly gives the Indian mind, including the mind of the Indian scientist, the ability to think out of the box.
The Indian Bureau system is wrong. The only way to adjust wrong is to abolish it, and the only reform is to let my people go. After freeing the Indian from the shackles of government supervision, what is the Indian going to do: leave that with the Indian, and it is none of your business.
I want to get rid of the Indian problem. [...] Our objective is to continue until there is not a single Indian in Canada that has not been absorbed into the body politic and there is no Indian Question and no Indian Department.
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
Having portrayed English-speaking Indian characters in British and American projects, I have always wanted to use my mother tongue in an Indian film.
An Indian is an Indian regardless of the degree of Indian blood or which little government card they do or do not possess.
English is an Indian language. It reaches a wider audience across the country.
Language is not a barrier, specially Hindi. It is the only language I read, write and speak in and so it is far easier than South Indian languages.
We know from our recent history that English did not come to replace U.S. Indian languages merely because English sounded musical to Indians' ears. Instead, the replacement entailed English-speaking immigrants' killing most Indians by war, murder, and introduced diseases, and the surviving Indians' being pressured into adopting English, the new majority language.
In 1776, at the point of severance, except for an infusion of words from east coast Indian languages, the English language of North America was not in any radical way dissimilar from that of what the American settlers called the mother country.
There are plenty of good Indian writers in English, and none of us feel we are carrying the burden of being a poster boy.
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