A Quote by Vikramaditya Motwane

I gravitate towards silent characters who don't talk much. — © Vikramaditya Motwane
I gravitate towards silent characters who don't talk much.
I think I gravitate towards characters who are slight outsiders.
I always gravitate towards characters that are so opposite of me.
A lot of the characters I gravitate towards feel like outsiders.
I gravitate towards sort of broken characters who try to be better people.
Well, it's probably not something I'm conscious of, but I do gravitate towards characters that are kind of like me.
A lot of the time, a moral compass is all that separates a hero from being a villain; otherwise, the two are very much the same. Both are generally the richest and most complex characters, and they get to have all the fun. I guess it's those types of roles that I ultimately gravitate towards.
I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.
The image I gravitate towards are spunky women, women who talk back.
Somebody like Mailer brings to that role everything that he stands for. The types of characters that I gravitate towards, the types of icons, tend to have a heavy physicality in that way.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
I just always gravitate toward the kind of characters or people that maybe you don't want to talk to for a long time at a party, but you do like to watch what they're doing.
You might be the funniest guy in the world, but if you don't have anything to talk about, people are eventually going to gravitate towards the guy that's actually saying something.
Pretty much everything that I pick, when it comes to choosing roles, is just based on things and materials that grabs me. It's pretty much the subject matter that I gravitate towards.
Office of itself does much to equalize politicians. It by no means brings all characters to a level; but it does bring high characters down and low characters up towards a common standard.
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