A Quote by Vikrant Massey
I think what I look for in a script, it's the relatability quotient that matters the most.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
As far as the sexy quotient goes, I think it's not just the physical attributes or money, but talent, a great personality coupled with a good sense of humor that matters. The last quality is especially important to me.
I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
What I look for in a script is the plot point and whether they're strong, obviously, or not, whether the characters are rich or not, and if I can do justice to the character or not. Some movies you look at and the script is so bad that no one can do anything with the script.
We are all in this world together, and the only test of our character that matters is how we look after the least fortunate among us. How we look after each other, not how we look after ourselves. That's all that really matters, I think.
Only the curious will learn and only the resolute will overcome the obstacles to learning. The quest quotient has always excited me more than the intelligence quotient.
Getting the right script that will work at the BO and relate to the audience is what matters. You also need a great director to bring the script to the screen in a form you envisioned it to be.
In general, I don't really think too much about pacing, myself. You kind of look at each script and what each script demands.
People don't think of genres anymore. The script is all that matters. And as long as it appeals to my sensibilities as an actor-producer, I'm on.
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
Look, there is always something of a fine balancing act to what we do, but ultimately I believe what matters most of the time to me is what matters to my constituents. That doesn't mean I haven't gotten into trouble at times for taking a stand I believed was right, but may not have been the popular choice.
People will make judgments before you even speak based on the way you look. Most definitely your physical appearance matters. The way you dress, your hygiene - it all matters.
I don't think I had a script on 'King Kong.' But usually you read a script and then you go and audition for it. It's rare when there's no script. I sort of like the latter better, because I'm more successful at it.
It slightly depends on your perspective, sort of how you look at these things, but when I sit down to write a script, I'm not planning to write a script; I'm planning to make a film, and so I only see the script as being just a step there.
Your truth may not look like mine, but that is not what matters. What matters is this: You can look at a scar and see hurt, or you can look at a scar and see healing.
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