Los Angeles and New York are the big centers of the music industry worldwide so of course it can be hard for newcomers who don't know what to expect from the music business.
Great music can come from anywhere around the globe. And there has always been a music business. It just wasn't recorded, nor was it centered in New York, London, Los Angeles or Nashville but rather St Petersburg, Vienna, Berlin, Milan and Paris.
When its 100 degrees in New York, it's 72 in Los Angeles. When its 30 degrees in New York, in Los Angeles it's still 72. However, there are 6 million interesting people in New York, and only 72 in Los Angeles.
Since I have spent many years of my life living in Los Angeles, and since I'm also in the music business, I know that much more is talked about in Los Angeles than ever really occurs.
I went to Los Angeles and enrolled in a production course at the University of California, Los Angeles. In the morning I attended industry meetings and in the evening, I would go for the course.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
What's exciting about the Bay Area, is that people are not waiting for permission from the industry to make movies - unlike Los Angeles or New York, where you can get stuck into that desire of raising a big budget, or working with the studios.
There was a point at which I thought I'd never get the most valuable player, especially the years I played at Minnesota. We never won a pennant there, we were far away from the big media centers of Los Angeles and New York, and I wasn't a flashy power hitter but a guy who hit to spots, who bunted and stole bases.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I had a really negative look at the night-life side of Hollywood, which I really didn't like. I went to New York to focus on modeling, and then of course found that New York was not any different from Los Angeles.
I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
My family is still in Los Angeles. We listened to all sorts of music: Mexican music, oldies, soul, disco and rock & roll. I was surrounded by music.
I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.