A Quote by Ville Valo
Play as well as you can; that's it, as opposed to creating these odd paranoias, trying to be something you're not.
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A lot of times in intense moments, you tend to play conservatively because you're just trying to avoid losing, as opposed to trying to win.
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9', or something like that, is... well, it just shows that you can get actors to do anything.
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9?, or something like that, is... well, it just shows that you can get actors to do anything.
I think I was born with a natural way of looking at something and trying to find the ways in which it was odd or funny, Even in the sad or angry stuff, I was, 'Well, but where is the funny part of this?'
I have ever been opposed to banks, - opposed to internal improvements by the general government, - opposed to distribution of public lands among the states, - opposed to taking the power from the hands of the people, - opposed to special monopolies, - opposed to a protective tariff, - opposed to a latitudinal construction of the constitution, - opposed to slavery agitation and disunion. This is my democracy. Point to a single act of my public career not in keeping with these principles.
I enjoy the mental gymnastics that go along with matching voice to picture and vice versa and trying to accent the action as opposed to provide all of the action through my words. And that's really what play-by-play is.
It's the way I study - to understand something by trying to work it out or, in other words, to understand something by creating it. Not creating it one hundred percent, of course; but taking a hint as to which direction to go but not remembering the details. These you work out for yourself.
I started in radio. I enjoy the mental gymnastics that go along with matching voice to picture and vice versa and trying to accent the action as opposed to provide all of the action through my words. And that's really what play-by-play is.
Unless somebody's actually creating something and doing something spontaneous I wouldn't find it at all interesting, to watch or to create, so, I'm trying to make my solo shows something different altogether.
My advice is: to try and stay really true to the things that make YOU laugh, as opposed to trying to create a character that you think is funny. Some comedians get into bad habits when they are trying to create something that is not them, and they are trying to write a voice that isn't their true voice.
I tend to play rather odd men. People that are slightly odd or eccentric, or have a more particular attitude to life.
Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.
There are definitely times when taking a sack is a better play than doing something else and trying to make a play when something is not there.
Like bees creating a beehive or ants creating an anthill we're all moving along creating something and we're not sure what it is.
Too many people are surfing the web and trying to figure out the politics of getting a movie made or taking meetings and trying to get someone to read something instead of creating a truly great script, because something great has a great chance of getting made, but something average that you've sort of talked people into reading doesn't have as good a shot.
I don't think it's a problem if you play well and don't score, when you are creating chances.
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