A Quote by Vilmos Zsigmond

If you use hand-held techniques just to make the film stylish I think it's wrong. — © Vilmos Zsigmond
If you use hand-held techniques just to make the film stylish I think it's wrong.
The structural thinking I use in the concert hall is unnecessary to most film projects, and most film composers make better use of the enormous range of pop and other materials and techniques required of them than I probably would, faced with the same challenge.
I want my films to be different, to use different techniques, not just make a calling card film.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself you don't need those techniques.
I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.
We're able to use certain techniques to get people to behave in certain ways. We're able to use certain techniques to make it look like we're reading minds, even though we're not.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
Comedy is much harder, it's a lot more exacting. You can't just be real and you can't just use the same kind of techniques you use to fill up a regular scene.
You’ll soon find out some wizarding families are much better than others, Potter. You don’t want to go making friends with the wrong sort. I can help you there.” He held out his hand to shake Harry’s, but Harry didn’t take it. “I think I can tell who the wrong sort are for myself, thanks,” he said coolly.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.
A documentary film-maker can't help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.
Before Bin Laden did everything but advertise. Yet he had to blow up the Twin Towers just to get the attention of anyone outside the intelligence community. So what did we do? We invaded the wrong country, killed the wrong madman, and too often used the wrong interrogation techniques on the wrong people-all because our leaders lost contact with the truth.
Personally, I don't want to do theater that's very stylish, when it's just stories on stage that are basically the same as TV or film.
I've always been into dressing and being stylish because I feel like that's where I gained a lot of my confidence and swag as a rapper, so fashion goes hand-in-hand with music to me.
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